Stage Fright (1950)

A struggling actress tries to help a friend prove his innocence when he's accused of murdering the husband of a high society entertainer.

Director:

Alfred Hitchcock

Writers:

Whitfield Cook (screen play), Alma Reville (adaptation)

Stars:

Marlene Dietrich, Jane Wyman, Richard Todd

2 wins & 1 nomination.

Cast

Complete credited cast:
Jane Wyman	...	Eve Gill
Marlene Dietrich	...	Charlotte Inwood
Michael Wilding	...	Ordinary Smith
Richard Todd	...	Jonathan Cooper
Alastair Sim	...	Commodore Gill (as Alistair Sim)
Sybil Thorndike	...	Mrs. Gill
Kay Walsh	...	Nellie Goode
Miles Malleson	...	Mr. Fortesque (as Miles Mallison)
Hector MacGregor	...	Freddie Williams
Joyce Grenfell	...	'Lovely Ducks'
André Morell	...	Inspector Byard (as Andre Morell)
Patricia Hitchcock	...	Chubby Bannister
Ballard Berkeley	...	Sergeant Mellish

Storyline

Jonathan Cooper is wanted by the police who suspect him of killing his lover's husband. His besotted friend Eve Gill offers to hide him and Jonathan explains to her that his real lover, actress Charlotte Inwood is the real murderer. Eve decides to investigate for herself, but when she meets the detective in charge of the case, she truly falls in love.

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Plot Keywords:

frame up | police | actress | love | friend | 

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Taglines:

Every time I'm beginning to think what color your eyes are, you disappear!

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Genres:

Film-Noir | Thriller

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Certificate:

Approved

Details

Country:

UK USA

Language:

English

Release Date:

15 April 1950 (USA)

Also Known As:

Die rote Lola

Filming Locations:

Mayfair, London, England, UK

Box Office

Budget:

$1,437,000 (estimated)

Gross USA:

$1,012,000, 31 December 1950

Cumulative Worldwide Gross:

$1,012,000, 31 December 1952

Company Credits

Production Co:

Warner Bros.

Technical Specs

Runtime:

110 min

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

Marlene Dietrich's costumes were designed by (an uncredited) Christian Dior.

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Goofs

When Charlotte's maid is talking about the murder at the pub, her hands change positions between shots. First being held at her side to her right hand scratching the back of her head.

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Quotes

[first lines]
Eve Gill: Any sign of the police?
Jonathan Cooper: No, no sign. Looks like we're getting away with it.
Eve Gill: Good.
Jonathan Cooper: How far is it to your father's boat?
Eve Gill: Two hours, with luck. You're luck seems to be very good. Touching wood.

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Alternate Versions

A French VHS released in the nineties contained two versions of the film: one dubbed, the other subtitled. Beside this difference numerous edits were made in the dubbed version. Many scenes were shortened such as the talk between Eve and her father outside the boathouse in the night, Eve's attempt to disguise herself as a maid... However, and more importantly, this version contained two longer scenes not present in any copy released on VHS or DVD so far.

• The first one is an extension of the bar discussion scene between the maid and the other patrons, right before Eve asks Wilfred Smith "Don't you think she's talking too much?" The dialog is dubbed in French.
• The second scene is a slightly but magnificent longer version of Marlene Dietrich singing "The Laziest Gal in Town". The complete song runs 4 minutes instead of 3.37 in the edited version. The cut occurs after the first "it's not 'cause I couldn't" in the lyrics.

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Connections

Referenced in Ghost Whisperer: Stage Fright (2009)

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Soundtracks

The Laziest Gal in Town
(1950) (uncredited)
Written by Cole Porter
Performed by Marlene Dietrich and a male quartet

User Reviews

Not a total Hitchcock misfire

STAGE FRIGHT (1950), whicch is usually dismissed as an Alfred Hitchcock failure, really has some fascinating things in it. As a whole, the film feels empty. The viewer knows they saw masterful construction work, but with lousy glue.

Richard Todd plays a Londoner wrongly accused of murdering his mistresses' husband. He is befriended by a young actress (Jane Wyman), her eccentric dad (Alister Sim, perfect as a daffy version of a Brit gentleman)

This film has arresting female characters (Marlene Dietrich is great as Todd's gal-pal. Patricia Hitchcock makes a top-grade debut in her father's films, and Kay Walsh is unforgettable as a blackmailer.)

The film begins in mid chase, has a terrific long take during a flashback, several other chases across and around stages and outdoor performances. The finale in a cluttered, noir-ish prop room is good stuff. What truly mars the film is the uninteresting sub-plot with detective Michael Wilding.