There are no people and little animals, primordial nature is in constant change. The images of cloudy skies, surf, a turbulent stream, wind, falling leaves and similar motifs alternate, sometimes violently, sometimes slow, sometimes fast.
Visual structure composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers and foliage, a woman's smile, arms stretching, an arm giving rhythm to a rocking chair.
A scene from The Bells (1926) is optically reprinted and edited to Michael Gordon¹s 7 minute composition. A meditation on the fleeting nature of life and love, as seen through the roiling emulsion of an film.