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Scandal (1950)

Shûbun (original title)
Approved | | Drama | 17 July 1964 (USA)
A celebrity photograph sparks a court case as a tabloid magazine spins a scandalous yarn over a painter and a famous singer.

Director:

Akira Kurosawa
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Cast

Cast overview, first billed only:
Toshirô Mifune ... Ichirô Aoye
Shirley Yamaguchi ... Miyako Saijo (as Yoshiko Yamaguchi)
Yôko Katsuragi Yôko Katsuragi ... Masako Hiruta
Noriko Sengoku Noriko Sengoku ... Sumie
Eitarô Ozawa Eitarô Ozawa ... Hori
Takashi Shimura ... Otokichi Hiruta
Shin'ichi Himori ... Editor Asai
Ichirô Shimizu Ichirô Shimizu ... Arai
Fumiko Okamura Fumiko Okamura ... Miyako's mother
Masao Shimizu Masao Shimizu ... Judge
Tanie Kitabayashi Tanie Kitabayashi ... Yasu Hiruta
Sugisaku Aoyama Sugisaku Aoyama ... Dr. Kataoka
Kokuten Kôdô ... Old Man A
Kichijirô Ueda Kichijirô Ueda ... Old Man B
Bokuzen Hidari ... Drunk
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Storyline

Famous singer Miyako Saijo, who is publicity shy, and motorbiking artist Ichirô Aoye, who has minor celebrity, meet by chance in Kappazawa while Ichirô is on a painting expedition, and Miyako is on a retreat. As she has missed her bus to Kaminoyu and as Ichirô is heading there anyway, he offers her a ride to the resort where both of them are staying and which is largely empty as it is the off season. As he visits her in her room solely as a measure of friendship and camaraderie, they are unaware that a paparazzo working for scandal sheet Amour has taken a photograph of the two of them together on her balcony. Hori, Amour's publisher, decides to print the photograph along with an accompanying salacious story on what could have happened based on the photograph, but which is a total fabrication. Hori has done such before with other celebrities, never having been sued as he believes his subjects either like the publicity or are too busy or scared to take action. A libel suit he feels will... Written by Huggo

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Japan

Language:

Japanese | English

Release Date:

17 July 1964 (USA) See more »

Also Known As:

Scandal See more »

Company Credits

Production Co:

Shochiku See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The character Hiruta was, as Kurosawa later recollected, based on a man he met in a bar in the early 1940's who had very similar characteristics and personal issues. See more »

Quotes

Otokichi Hiruta: Man is an extremely tragic creature. And so weak. Because he's weak, he pretends to be strong. That's our trouble. When I read about Aoye, I felt sorry for the man. I felt like someone had struck my own son. It's true. That much is true. I had no intention of imposing on him. Then I meet this scoundrel Hori. What an absolute swine! Every cent that pig earns is filthy! To take it all way from him would delight me. Or so I felt, and that's where I made my mistake. Beyond all doubt, Hori is one of...
[...]
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Soundtracks

Auld Lang Syne
(uncredited)
Traditional
Played by the band and sung by the patrons in the bar
See more »

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User Reviews

 
Outstanding
31 January 2001 | by sharptongueSee all my reviews

This is my favourite Kurosawa film. The director was reported to have been furious at the state of media freedom under the post-WWII US Occupation, and he vents his spleen on it here. The film is a passionate condemnation of gutter press and appears to be partly based on the director's own experiences.

I have to stop myself from the overuse of superlatives when describing this film. The acting is simply some of the best I've seen in any movie. Mifune does his usual good job as the brooding and very serious motorbike-riding painter but, for once, even the great Mifune is outclassed by several other actors.

Yoshiko Yamaguchi shines as the doe-eyed singer, whom a scandal magazine tries to frame as the painter's lover.

Despite not appearing until a third of the way through the film, Takashi Shimura steals every scene from Mifune. He is in top form as the weird and corrupted lawyer, and is a delight to watch.

But even Shimura is outclassed by the young Yoko Katsuragi, playing his daughter, who despite dying of TB is cheerful and a joy to all around her.

Nor does the support cast let them down. A number of great character actors, led by the man who plays the sleazy editor, complete the picture nicely.

I unreservedly recommend this film as a must-see for any film lover.


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