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La Ronde (1950)

La ronde (original title)
Not Rated | | Drama, Romance | 16 March 1954 (USA)
Vignettes revolving around a circle of interconnected love.

Director:

Max Ophüls (as Max Ophuls)

Writers:

Arthur Schnitzler (play), Jacques Natanson (adaptation) | 2 more credits »
Reviews
Nominated for 2 Oscars. Another 3 wins & 1 nomination. See more awards »

Photos

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Cast

Complete credited cast:
Anton Walbrook ... Raconteur
Simone Signoret ... Léocadie
Serge Reggiani ... Franz
Simone Simon ... Marie
Daniel Gélin ... Alfred (as Daniel Gelin)
Danielle Darrieux ... Emma Breitkopf
Fernand Gravey ... Charles Breitkopf
Odette Joyeux ... Anna
Jean-Louis Barrault ... Robert Kuhlenkampf
Isa Miranda ... Charlotte
Gérard Philipe ... Le comte
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Storyline

An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Taglines:

A Merry Go Round of Love Affairs! See more »

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

France

Language:

French

Release Date:

16 March 1954 (USA) See more »

Also Known As:

La Ronde See more »

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Box Office

Cumulative Worldwide Gross:

$852
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (1989 restored) | (video)

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Max Ophüls and his co-scenarist, Jacques Natanson, added one more character to the ten in Arthur Schnitzler's play--an unnamed, godlike figure, played by Anton Walbrook. See more »

Goofs

Around 01:08:47, the woman is sitting at left of the piano. Around 01:09:18, she's sitting front of it. See more »

Quotes

Emma Breitkopf: Alfred, Alfred. Why did I listen to you?
Alfred: Emma, I've thought so much about you. I know you're unhappy.
Emma Breitkopf: Yes.
Alfred: Yes. Life is so banal.
Emma Breitkopf: Yes.
Alfred: Yes. Yes and so empty.
Emma Breitkopf: Yes.
Alfred: And so short.
Emma Breitkopf: Yes.
Alfred: So terribly short.
[...]
See more »

Alternate Versions

The Criterion DVD issued in 2008 is 1:33. This is the version shown on TCM. See more »

Connections

Featured in Danielle Darrieux: Il est poli d'être gai! (2019) See more »

Soundtracks

Ach du lieber Augustin
(Oh, you dear Augustin) (uncredited)
Attributed to Marx Augustin
Heard as a theme
See more »

Frequently Asked Questions

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User Reviews

 
Exquisite Ophulence
2 January 2005 | by SpondonmanSee all my reviews

La Ronde is one of my favourite French films, I can't watch it too often as it has its faults but it hasn't failed to enchant me each time so far. Max Ophuls certainly had an elegant style about him, see Le Plaisir and Madame de .. for further evidence. He re-created Vienna 1903 seemingly effortlessly in this, and even with Anton Walbrook continually talking to the camera and a film set deliberately momentarily on display it's pretty convincing. The attention to period detail was knockout, done as only Ophuls knew how. It can still be done nowadays but lacking one vital ingredient: an atmosphere, a feel for the time and place that came with nitrate film stock. Modern films can look as sumptuous in their set and costume design even in todays colour, but nearly all fail to generate an atmosphere because modern film stock plays too realistic - and it ain't going to get any better with digital no-film-at-all!

The Austrian Anton Walbrook was a multi-linguist, his sinister sibilant English in Gaslight was perfect, in Colonel Blimp perfectly resigned as a defeated and baffled non-Nazi German soldier. He spoke a few gorgeous words in French in La Ronde and was then promptly dubbed for the rest of the movie. Maybe he couldn't sing, but why did they jettison such a lovely speaking voice as well?

The conventional hypocrisy of sexually cheating on your (straight?!) partner in secret is repeatedly portrayed, as well as the notion that casual sexual gratification is usually desired by both sexes of both classes and as fast as possible. These lovers of sex move on: familiarity breeds contempt - once you've come it's time to go! This sex (not love) merry-go-round is one reason why there are 6 billion people on Earth today! But I definitely don't agree with the previous comment that Ophuls' version of La Ronde was about the spread of STD even though the original play had it as a major theme. Ophuls was all about Pleasure, not Pain - any syphilitic transmission was left to the imagination here. Walbrook waxes wistfully cynical throughout this beautiful film - he wouldn't change a thing about Life and Sex if he could. I'm happily forced to watch this film with amused sadness from his point of view, and wouldn't change a thing about it even if I could.


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