Astronauts (Lloyd Bridges, Osa Massen, John Emery, Noah Beery, Jr., and Hugh O'Brien) blast off to explore the moon. Because of craft malfunction and some fuel calculations, they end up landing on Mars. On Mars, evidence of a once powerful civilization is found. The scientists determine that an atomic war destroyed most of the Martians (who surprisingly look like humans). Those that survived reverted to a caveman-like existence.Written by
Matthew Soffen <email@example.com>
The film underwent several changes in concept before finally being filmed as it is. Initially, producer-director Kurt Neumann wanted to make a movie about an expedition to Mars that encounters living dinosaurs, but producer Robert L. Lippert rejected the script. Around the same time, special effects man Jack Rabin approached Lippert with a script about a space flight to the moon, to be called "Destination Moon". Producer George Pal, however, had just copyrighted that title for his own picture about a lunar mission--Destination Moon (1950)--but Lippert changed his mind and, to take advantage of the publicity for Pal's "Destination Moon", brought Neumann's and Rabin's ideas together for his own film about a spaceflight to the moon. Subsequent threats of legal action from Pal forced Lippert to change the venue of his film from the moon back to the planet Mars--the locale in Neumann's original script. See more »
The mission is supposed to be a trip to the Moon. Yet the crew is well supplied with firearms -- of no use on a lunar expedition. See more »
[Floyd and Lisa comfort Eckstrom, who was mortally wounded by a Martian's axe]
No Floyd. Poor fear-crazed despairing wretches. Pity them. Pity them!
See more »
The Navarre DVD release (as part of a 'triple feature') does not include the new special effects sequences or the pink/red coloring. The Mars sequences are, however, tinted a pallid, sickly green. See more »
An early anti-nuclear war film done with imagination and style.
Despite what we would now consider laughable scientific goofs, this science-fiction film carried itself well as a dramatic film. The actors were all solid professionals. The Martian settings were believable. The sentiments, while a bit pretentious, were sincere and laudable. It was an early attempt at mature science-fiction and succeeded better than many more polished, but cynical efforts that came later on.
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