The rape of a bride and the murder of her samurai husband are recalled from the perspectives of a bandit, the bride, the samurai's ghost and a woodcutter.

Director:

Akira Kurosawa

Writers:

Ryûnosuke Akutagawa (stories), Akira Kurosawa (screenplay) | 1 more credit »
Reviews
Popularity
4,188 ( 223)
Top Rated Movies #125 | Nominated for 1 Oscar. Another 9 wins & 4 nominations. See more awards »

Videos

Photos

Edit

Cast

Complete credited cast:
Toshirô Mifune ... Tajômaru
Machiko Kyô ... Masako Kanazawa
Masayuki Mori ... Takehiro Kanazawa
Takashi Shimura ... Woodcutter
Minoru Chiaki ... Priest
Kichijirô Ueda ... Commoner
Noriko Honma Noriko Honma ... Medium
Daisuke Katô ... Policeman
Edit

Storyline

A priest, a woodcutter and another man are taking refuge from a rainstorm in the shell of a former gatehouse called Rashômon. The priest and the woodcutter are recounting the story of a murdered samurai whose body the woodcutter discovered three days earlier in a forest grove. Both were summoned to testify at the murder trial, the priest who ran into the samurai and his wife traveling through the forest just before the murder occurred. Three other people who testified at the trial are supposedly the only direct witnesses: a notorious bandit named Tajômaru, who allegedly murdered the samurai and raped his wife; the white veil cloaked wife of the samurai; and the samurai himself who testifies through the use of a medium. The three tell a similarly structured story - that Tajômaru kidnapped and bound the samurai so that he could rape the wife - but which ultimately contradict each other, the motivations and the actual killing being what differ. The woodcutter reveals at Rashômon that he ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Exciting and Unusual Japanese Drama! See more »

Genres:

Crime | Drama | Mystery

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
Edit

Did You Know?

Trivia

Named by director Daniel Petrie as his favorite film in an AFI poll. See more »

Goofs

Around the 22:30 mark (in the Criterion release), the bandit explains to the husband about the sword and where it came from, but the words don't even come close to matching his lips' movements. See more »

Quotes

Tajômaru: [Presenting his sword to the husband] Here, take it. Look at it. Near here I found this old tomb with things like this in it. I broke it open and inside I found swords, daggers, mirrors... I buried them all here in the woods and no one but me knows where. But if you're interested I might sell some of them to you cheap.
See more »

Alternate Versions

Criterion Collection releases of this film feature an English Dubbed Version in addition to the traditional, original Japanese version. This is unusual in that Criterion are usually film purists that do not put English language dubs on their discs that contain a foreign language film. See more »


Soundtracks

Woman's Tale Theme (Bolero)
Written by Fumio Hayasaka inspired by Maurice Ravel's "Bolero", using the same background rhythm, and similar orchestration and build-up, but different melodic lines.
See more »

User Reviews

A Technical & Creative Success
29 September 2004 | by Snow LeopardSee all my reviews

It's hard to tell just how striking "Rashômon" might have seemed to those who watched it in 1950, rather than seeing it after so many subsequent movies and other works have made use of its techniques and ideas. But it's clear that it is a technical and creative success. The story itself is not particularly satisfying, which was most likely by design, and the movie is carried by its structure and by the concept of the markedly different perspectives on the same series of events. The cast also deserve their share of credit for how well it works, and the photography is excellent, as it is in almost all of Kurosawa's films.

Kurosawa's expertise makes the interwoven sequences of past and present - essentially telling two different stories - not only work flawlessly, but fit together thematically. It's even more commendable when compared to some of the subsequent films that have tried to use similar ideas, only to come off as pretentious rather than creative or innovative. Kurosawa was also working with much less in terms of possible precedents.

In one sense, the choice of specific story material could seem a little odd.

The downbeat, rather sordid scenario makes the movie somewhat less enjoyable than several of Kurosawa's other pictures (which is, admittedly, a pretty high standard), and as a result "Rashômon" is more a film to respect and admire than one to enjoy and take pleasure from. Still, it does have significantly more substance to it than do most of the more recent pictures that have been deliberately downbeat or negative in their portrayals of humanity. Such stories are more trendy at present, and they often receive undue praise simply for so being.

At the same time, the lack of sympathetic characters and the paucity of hopeful developments bring out all the more its success in developing its ideas about narrative and about reality, ideas that are more fundamental and, in their way, perhaps at least as important as any specific story or events.


55 of 83 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 358 user reviews »

Frequently Asked Questions

See more »
Edit

Details

Country:

Japan

Language:

Japanese

Release Date:

26 December 1951 (USA) See more »

Also Known As:

Rashomon See more »

Filming Locations:

Japan See more »

Edit

Box Office

Budget:

$250,000 (estimated)

Opening Weekend USA:

$15,942, 28 July 2002

Gross USA:

$46,808

Cumulative Worldwide Gross:

$46,808
See more on IMDbPro »

Company Credits

Production Co:

Daiei See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »

Contribute to This Page



Recently Viewed