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Rashomon

Original title: Rashômon
  • 19501950
  • Not RatedNot Rated
  • 1h 28m
IMDb RATING
8.2/10
166K
YOUR RATING
POPULARITY
4,822
367
  • Cast & crew
  • User reviews
  • Trivia
  • IMDbPro
Rashômon (1950)
The rape of a bride and the murder of her samurai husband are recalled from the perspectives of a bandit, the bride, the samurai's ghost and a woodcutter.
Play trailer1:49
2 Videos
74 Photos
  • Crime
  • Drama
  • Mystery

The rape of a bride and the murder of her samurai husband are recalled from the perspectives of a bandit, the bride, the samurai's ghost and a woodcutter.The rape of a bride and the murder of her samurai husband are recalled from the perspectives of a bandit, the bride, the samurai's ghost and a woodcutter.The rape of a bride and the murder of her samurai husband are recalled from the perspectives of a bandit, the bride, the samurai's ghost and a woodcutter.

IMDb RATING
8.2/10
166K
YOUR RATING
POPULARITY
4,822
367
  • Director
    • Akira Kurosawa
  • Writers
    • Ryûnosuke Akutagawa(stories Rashomon and In a Grove)
    • Akira Kurosawa(screenplay)
    • Shinobu Hashimoto(screenplay)
  • Stars
    • Toshirô Mifune
    • Machiko Kyô
    • Masayuki Mori
Top credits
  • Director
    • Akira Kurosawa
  • Writers
    • Ryûnosuke Akutagawa(stories Rashomon and In a Grove)
    • Akira Kurosawa(screenplay)
    • Shinobu Hashimoto(screenplay)
  • Stars
    • Toshirô Mifune
    • Machiko Kyô
    • Masayuki Mori
  • See production, box office & company info
    • 385User reviews
    • 134Critic reviews
    • 98Metascore
  • See more at IMDbPro
  • Top rated movie #147
    • Nominated for 1 Oscar
      • 9 wins & 5 nominations total

    Videos2

    Re-release Trailer
    Trailer 1:49
    Re-release Trailer
    A Message From the Bluth Family
    Video 2:25
    A Message From the Bluth Family

    Photos74

    Minoru Chiaki, Takashi Shimura, and Kichijirô Ueda in Rashômon (1950)
    Toshirô Mifune and Machiko Kyô in Rashômon (1950)
    Toshirô Mifune and Masayuki Mori in Rashômon (1950)
    Toshirô Mifune and Machiko Kyô in Rashômon (1950)
    Rashômon (1950)
    Rashômon (1950)
    Rashômon (1950)
    Rashômon (1950)
    Minoru Chiaki and Takashi Shimura in Rashômon (1950)
    Minoru Chiaki and Takashi Shimura in Rashômon (1950)
    Rashômon (1950)
    Masayuki Mori in Rashômon (1950)

    Top cast

    Edit
    Toshirô Mifune
    Toshirô Mifune
    • Tajômaruas Tajômaru
    Machiko Kyô
    Machiko Kyô
    • Masako Kanazawaas Masako Kanazawa
    Masayuki Mori
    Masayuki Mori
    • Takehiro Kanazawaas Takehiro Kanazawa
    Takashi Shimura
    Takashi Shimura
    • Woodcutteras Woodcutter
    Minoru Chiaki
    Minoru Chiaki
    • Priestas Priest
    Kichijirô Ueda
    Kichijirô Ueda
    • Commoneras Commoner
    Noriko Honma
    • Mediumas Medium
    Daisuke Katô
    Daisuke Katô
    • Policemanas Policeman
    • Director
      • Akira Kurosawa
    • Writers
      • Ryûnosuke Akutagawa(stories Rashomon and In a Grove)
      • Akira Kurosawa(screenplay)
      • Shinobu Hashimoto(screenplay)
    • Production, box office & more at IMDbPro
    • All cast & crew

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    Storyline

    Edit
    A priest, a woodcutter and another man are taking refuge from a rainstorm in the shell of a former gatehouse called Rashômon. The priest and the woodcutter are recounting the story of a murdered samurai whose body the woodcutter discovered three days earlier in a forest grove. Both were summoned to testify at the murder trial, the priest who ran into the samurai and his wife traveling through the forest just before the murder occurred. Three other people who testified at the trial are supposedly the only direct witnesses: a notorious bandit named Tajômaru, who allegedly murdered the samurai and raped his wife; the white veil cloaked wife of the samurai; and the samurai himself who testifies through the use of a medium. The three tell a similarly structured story - that Tajômaru kidnapped and bound the samurai so that he could rape the wife - but which ultimately contradict each other, the motivations and the actual killing being what differ. The woodcutter reveals at Rashômon that he knows more than he let on at the trial, thus bringing into question his own actions. But another discovery at Rashômon and the resulting actions from the discovery bring back into focus the woodcutter's own humanity or lack thereof. —Huggo
    • unreliable narration
    • medium
    • contradictory accounts
    • multiple perspectives
    • rape
    • 100 more
    • Plot summary
    • Plot synopsis
    • Taglines
      • The husband, the wife...or the bandit?
    • Genres
      • Crime
      • Drama
      • Mystery
    • Certificate
      • Not Rated
    • Parents guide

    Did you know

    Edit
    • Trivia
      Often credited as the reason the Academy created the "Best Foreign Film" category.
    • Goofs
      Around the 22:30 mark (in the Criterion release), the bandit explains to the husband about the sword and where it came from, but the words don't even come close to matching his lip movements.
    • Quotes

      Commoner: It's human to lie. Most of the time we can't even be honest with ourselves.

    • Alternate versions
      Criterion Collection releases of this film feature an English Dubbed Version in addition to the traditional, original Japanese version. This is unusual in that Criterion are usually film purists that do not put English language dubs on their discs that contain a foreign language film.
    • Connections
      Edited into Papillon d'amour (2004)
    • Soundtracks
      Woman's Tale Theme (Bolero)
      Written by Fumio Hayasaka inspired by Maurice Ravel's "Bolero", using the same background rhythm, and similar orchestration and build-up, but different melodic lines.

    User reviews385

    Review
    Top review
    10/10
    A rare and a unique masterpiece from the master himself
    As oppose to its commonplace plot, Rashomon as a concept is extraordinarily idiosyncratic and perhaps it is this striking attribute that makes it an undisputed masterpiece, howsoever improbable. It vividly limns the artistry of contrivance innate in the human psyche owing to the importunate desire of humans to placate their insatiable egos. This manipulation of facts has no limits and entirely depends upon the skill of imaginative improvisation of the individual along with his level of comfort at skullduggery. The ability to misinterpret comes naturally to the humans as a desperate ploy to counter the adversities of life and that's what makes it indispensable. As a direct consequence of contrivance, the concept of truth no longer remains universal but becomes rather subjective and a matter of individualistic perception.

    Rashomon pioneered Kurosawa's dream tryst with perpetual brilliance and undoubtedly played a pivotal part in making his name a mark of excellence in the world of cinema. Rashomon is a well knitted tale about a supercilious samurai, his whimsical wife and a boorish bandit. The bandit inveigles the samurai into imprisonment and has his way with samurai's wife. The dead body of the samurai is later discovered under mysterious circumstances by a woodcutter. The bandit is captured and arraigned along with the deranged widow of the samurai. Their narrated versions seem such contrasting that a psychic is called upon to conjure up the dead samurai's spirit to record his testimony in order to corroborate the facts that seemed excessively manipulated. The samurai's version yet again differs considerably from the testimonies of the other two. Each version though different seemed to satiate the respective ego of the testifier. The woodcutter, who didn't want to get involved personally, later confesses to a priest to have actually witnessed the incident and comes up with a version of his own which falsifies the other three. The movie is ingenious as its actual motive has nothing to do with the revelation of truth as verity is merely a matter of lame perception, but rather is to highlight the discrepancies among the different versions as a medium to depict the irrational complexities associated with the human psyche.

    The concept of Rashomon though well ahead of its time, sowed the seeds for creative innovation in the world of cinema and has served as the undisputed benchmark of innovative excellence for well over five decades. A quintessential Kurosawa classic, strongly recommended to the masses for its sheer brilliance and enigmatic charm. 10/10
    helpful•64
    22
    • murtaza_mma
    • Jul 26, 2009

    FAQ4

    • A NOTE REGARDING SPOILERS
    • What is a "Rashômon"?
    • Is Rashomon based on two stories?

    Details

    Edit
    • Release date
      • December 26, 1951 (United States)
    • Country of origin
      • Japan
    • Language
      • Japanese
    • Also known as
      • V gozdu
    • Filming locations
      • Komyoji Temple, Kyoto, Japan
    • Production company
      • Daiei
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $250,000 (estimated)
    • Gross US & Canada
      • $46,808
    • Opening weekend US & Canada
      • $15,942
      • Jul 28, 2002
    • Gross worldwide
      • $46,808
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      1 hour 28 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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