En route to Hollywood, singer Steve, his partner Seymour and fiancée Jane, Jane's airheaded roommate Irma, and Irma's con artist fiancé Al have a series of misadventures and end up involved with a murderous gang.
Sidney Pythias is a bumbling janitor picked up by cop Mike Damon as a teenage gang member worth saving from delinquency. With Damon's help, Sidney works his way through the Police Academy to become a cop too.
Herman owes a lot of gambling debts. To pay them off, he promises the mob he'll fix a horse, so that it does not run. He intends to trick his animal-loving cousin, Virgil, an apprentice ... See full summary »
In this sequel film, all the characters remain the same; Al is still unemployed, Jane still has show-biz aspirations for boyfriend Steve; Steve and Seymour are still partners, and Irma is still Irma, which isn't all that easy. Al gets Steve a singing job on television, which is seen by a Hollywood producer. He signs Steve to a long term movie contract, and all hands depart for Hollywood. But, alas, the producer turns out to be an escaped lunatic, and they end up in Las Vegas, where Irma manages to get kidnapped by gangsters, who are very unhappy with Irma.Written by
Les Adams <email@example.com>
Irma is kidnapped by the "notorious Corrigan Gang". Their leader Sharpie, a ruthless murderer, is played against type by endearing, lovable director-turned-actor Lloyd Corrigan in an obvious in-joke. See more »
This is a sequel to My Friend Irma (1949). However, at the end of that movie, Al and Steve are waiting at the church for Irma and Jane for a double wedding. Also, Irma has won a radio contest worth $50,000 (approximately half a million dollars today, adjusting for inflation). At the beginning of My Friend Irma Goes West (1950), the weddings never happened and neither did the financial windfall. Steve and Seymour are back working at the orange juice stand, setting up similar plot circumstances as the first movie (much like a typical radio or TV sitcom). See more »
Hear, hear! I hear there's a call for able-bodied men.
Yeah! Do you know one?
I know me! I'm able! I'm a man, and despite what you think, this is a body!
[the crowd in the station laughs]
Sorry, son, I can't take you without your mother's permission.
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Wacky comedy where the gags keep coming at us from every direction. Poor Irma, to get in movies she's got to get to Hollywood with her troupe of friends, agents, boyfriends, and monkeys. Will she make it or will she keep getting on trains to Chicago. It's special fun for us geezers who recall ditzy Irma's popular radio show where Wilson also starred. Then too, the production date is 1950. So, the movie includes such period snippets as: TV is just beginning, Hopalong is a favorite show, and Margaret Truman's singing career is a common joke. Thus it's also nostalgia time for many of us. And oh yes, mustn't forget the glimpse of a rural
Las Vegas before it became fun city.
All in all, the flick's a humorous delight that proves even Jerry Lewis is funny in small doses. Here he shares the laugh stage with a dippy Irma, an unexpectedly funny John Lund, and the superlative Pierre who mugs it up in true Chimp fashion. Then too, Martin shows his leading man stuff but unfortunately gets a clunky song to warble. And how about cutie Diana Lynn, sort of an early Debbie Reynolds. Too bad her career was cut short by a stroke.
I could have done without the gangster bit, but at least director Walker keeps things moving. Then too, the various threads aren't always blended but who cares. In short, the 90-minutes manages more than its share of laughs, along with a starting gate for the 50's unforgettable Martin and Lewis.
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