Betty Grable and Dan Dailey are a married song and dance team who cannot have children. The movie follows the travails as they try and adopt and keep the kids they adopt while performing on their TV show.
Hans falls in love with Brenda, an Indonesian girl. Hans' father sells an old building to Brenda's father, so that he can open an Indonesian restaurant there. Hans' father is the owner of a... See full summary »
Sartana, bounty hunter and gunfighter, witnesses the robbery of a shipment of gold. He finds his way into town where he meets with a lot of suspicious stares from the locals. He also meets ... See full summary »
Glamorous Lorry Jones, the toast of a Missouri military canteen, has become "engaged" to almost every serviceman she's signed her pin-up photo for. Now she's leaving home to go into ... See full summary »
Radio star Kitty Moran, long married to partner Jack, finds she's pregnant, but miscarries. For a change, the couple turn their act into a series on early TV and try to adopt a baby, finally acquiring a girl in a somewhat back alley manner. Complications follow amid a series of musical numbers.Written by
Rod Crawford <firstname.lastname@example.org>
"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on February 25, 1952 with Betty Grable and Dan Dailey reprising their film roles. See more »
During the Cosmo Cosmetics number, all of the monitors in the television control room are in color. Expensive color sets would never have been used in a real TV control room, and in fact weren't even available in 1950. See more »
This film really isn't much. The performers are all agreeable, but the real star is the score by Harold Arlen and Ralph Blane. The lost gem is "Halloween", an Arlen waltz performed by Betty Grable, Dan Dailey, and David Wayne. Arlen did not write many waltzes. Only "When the Boys Come Home", "Sunday in Cisero Falls", and "Fancy Free" come to mind. This is a fine waltz with a witty lyric by Blane telling us that Irving Berlin forgot to write a song about "Halloween". "Don't Rock the Boat", Arlen's take on Calypso music, is also a winner. "Friendly Island" is a hilarious send up of Rodgers and Hammerstein's "South Pacific". Blane has never been so archly funny. Dailey even makes fun of Ezio Pinza's singing in this number. Aside from these numbers, "Mother Wore Tights" and "Call Me Mister" are superior Grable-Dailey films. Wayne gives us some comedy, but it is not enough to make the film sparkle.
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