Munekata kyôdai

It might be one of Ozu's least known films, and quite different from his other ones too, but his techniques and masterful skills are still there.

I've had the privilege to watch his films chronologically, from "The Only Son" to the last film he made, so I can notice that there was a big change from his (in that time) previous film "Late Spring" to his subsequent one "Munekata Sisters" and practically different from his other previous ones in general. Although the subject matter in this film is more romantic and dramatic in comparison to his previous films, as I just mentioned, his filmmaking style remains the same, the static camera and his beautiful close-ups are still there. Also another interesting thing to say is that this film resembles Mizoguchi's themes, he could have easily done this one of his films if he'd had the chance.

I might get the readers bored for repeating myself, but you can rest assured this is another essential film from Ozu you surely should get your hands on if possible.

Also this may be the last time I review one of Ozu's films, not because I don't like his other films, but because you simply can't go wrong with him, you either get his filmmaking or not. If you get it, then you'll probably love most of his films; therefore, you should really watch all you can get from him.

My score: 9.2/10