After two sailors are conned into buying a lame race-horse, they go ashore to sort out the problem, but when they realize that the horse is one of a pair of identical twins, their plan for revenge becomes more complicated.
A war correspondent who was stationed in Paris during WW II married a French girl who was murdered by the Nazis. After the war he returns to to try to find his son, whom he lost during a ... See full summary »
Paul Merrick, a writer of hit musicals, prefers to lie in the sun or play golf. He does so until he goes broke and asks to borrow a large sum of money, against future earnings, from his producer, Alex Conway. They are invited to a university, Paul's alma mater, to see a college production that is using some of Paul's music, and meet Katherine Holbrook, a student. Alex makes out the loan-money check to Katherine and hires her as Paul's secretary with instructions to give him only so much money per week after he starts to work on a new show. Complications arise when Paul meets Lorna Marvis, a society woman whose company is more expensive than the allowance Katherine is doling out to him.Written by
Les Adams <email@example.com>
One of many films Bing Crosby made with a non-singing leading lady, owing to the fact that Paramount had no bona fide singing stars under contract. Both Betty Hutton and Dorothy Lamour were singers, after a fashion, and both paired off with Crosby one or more times, but Hutton was a comedienne and Lamour specialized in exotics and deadpan foils. As a result, Crosby became highly skilled at serenading dramatic actresses such as Joan Fontaine, Marjorie Reynolds. Joan Caulfield, Coleen Gray, Grace Kelly and, in the case of Mr. Music (1950), Nancy Olson. Because of the shortage of distaff songbirds, Paramount often either borrowed or signed singing stars for one or two-picture deals, which resulted in memorable on-screen sparks between Crosby and Mitzi Gaynor, Rhonda Fleming, Jane Wyman, Ann Blyth, Peggy Lee and Rosemary Clooney. See more »
[backstage at the college musical revue]
What's he doing here?
Investigating the student body.
[raises eyebrows and walks away with three co-eds]
I hope I don't lose my faculties.
See more »
When this film first came out in 1950 it was like Babe Ruth hitting a double. The score by Burke-Van Heusen is serviceable for Crosby, a couple of nice numbers. In fact the best number in the movie is And You'll Be Home, sung at a college assembly by Bing who is later joined by the whole ensemble. Unfortunately it occurs in the first 20 minutes of the movie so then it's downhill.
Bing plays a golf loving composer who's lost his muse and would rather spend more time on the links and at the track then working. His producer, Charles Coburn, hires Nancy Olson who is a graduating student from Bing's alma mater as a secretary to keep Bing's nose to the grind- stone. That has complications for Bing's steady, Ruth Hussey and Olson's inamorata, Robert Stack. Suffice it to say that everyone winds up with someone in the end.
It's a show business story, but not one like those Judy Garland-Mickey Rooney let's put on a show. We got some sophisticated folks in this story, not the usual kind who Bing hangs around with in the normal course of his films. A whole lot of the film action takes place in Bing's Park Avenue penthouse and Crosby looks a little lost there. He has some funny moments with Ida Moore, Tom Ewell, and Richard Haydn.
Of course a show is the highlight of the film and one awkward moment comes when Charles Coburn is amazed at some of the show business types Bing's obtained the services for a preview of his new Broadway show. At one point Coburn remarks to Crosby, "there's Dorothy Kirsten of the Metropolitan Opera" like he doesn't know who she is. But the audience probably doesn't. Still it looks so phony when the next performer they run into is Groucho Marx. No one thought of giving Coburn a line like "there's Groucho Marx of the Marx Brothers."
Speaking of Groucho he and Crosby sing a duet of Life Is So Peculiar which Bing had sang earlier in the movie with Peggy Lee. The film should be seen for both versions of this number also.
If you love Bing as I do or if you want to see him sing with Groucho Marx and Peggy Lee by all means see this film.
15 of 16 people found this review helpful.
Was this review helpful to you?
| Report this