A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Screenwriter Dixon Steele, faced with the odious task of scripting a trashy bestseller, has hat-check girl Mildred Atkinson tell him the story in her own words. Later that night, Mildred is murdered and Steele is a prime suspect; his record of belligerence when angry and his macabre sense of humor tell against him. Fortunately, lovely neighbor Laurel Gray gives him an alibi. Laurel proves to be just what Steele needed, and their friendship ripens into love. Will suspicion, doubt, and Steele's inner demons come between them?Written by
Rod Crawford <firstname.lastname@example.org>
Gloria Grahame, at the time, was estranged from her husband, Director Nicholas Ray. She would subsequently go on to marry her stepson, Ray's son from a previous marriage. See more »
In the bar, whilst Dixon orders the drinks, Mel puts his right hand on his left one, resting on the counter. In the subsequent shot, he has his arms crossed. See more »
Well, he's exciting because he isn't quite normal.
Maybe us cops could use some of that brand of abnormality. I learned more about this case in five minutes from him than I did from all of our photographs, tire prints and investigations.
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Very adult film about a surly Hollywood writer, a would be actress, and a murder. Among the very best Bogart performances, yet this film is practically unknown. Top notch acting across the board. Bogart and Grahame are a terrific team (she is the designing actress), but also good are Frank Lovejoy, Jeff Donnell (as his wife), Martha Stewart (no not that one) as the murder victim, Art Smith as the agent, and Robert Warwick (just wonderful) as the washed-up actor. Everything in the story revolves around Hollywood and movie making, but this is NOT really a film about Hollywood; it's a murder mystery. Great script is full of memorable lines, and all the supporting actors are sharp. Ruth Warren is funny as the maid, and Ruth Gillette is really spooky as the masseuse. Carl Benton Reid is the Lieutenant, and William Ching another officer. But the center is Bogart's harsh, unrelenting character. His Dixon Steele must rank with his best characters. And we never get to know him, nor is there any apology for his toughness. He seems almost psychotic--very rare for the hero of the 1950s movie. This also rates as one of Grahame's best performances. A truly unique Hollywood movie all round. In a Lonely Place still rates as an undiscovered gem.
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