6.4/10
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3 user 1 critic

Härmästä poikia kymmenen (1950)

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1 win. See more awards »

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Cast

Cast overview, first billed only:
Tauno Palo ... Isoo-Antti
Yrjö Kantoniemi Yrjö Kantoniemi ... Iisakki Nukari-Rannanjärvi
Kalervo Nissilä Kalervo Nissilä ... Anssin Jukka
Kalle Kirjavainen Kalle Kirjavainen ... Nimismies
Jussi Oksa Jussi Oksa ... Pouttula
Hilkka Helinä Hilkka Helinä ... Katri Pouttula
Kauko Helovirta Kauko Helovirta ... Janne Koivula
Tauno Pyhälahti Tauno Pyhälahti ... Tuomari
Ernst Salomäki Ernst Salomäki ... Lunden
Kustaa Kosola Kustaa Kosola ... Matti Kiipeli
Aaro Harju Aaro Harju ... Mies käräjillä
Elias Sarvikas Elias Sarvikas ... Kaupustelija
Bruno Visti Bruno Visti ... Viisulaulaja
Kaisa Pihlgren Kaisa Pihlgren ... Rva Grönberg
Irene Keltikangas Irene Keltikangas ... Nainen käräjillä
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Storyline

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Genres:

Drama

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Details

Country:

Finland

Language:

Finnish

Release Date:

15 September 1950 (Finland) See more »

Also Known As:

Österbottniskt blod See more »

Filming Locations:

Vaasa, Finland See more »

Company Credits

Production Co:

Suomi-Filmi See more »
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Technical Specs

Runtime:

Sound Mix:

Mono (Aga-Baltic)

Aspect Ratio:

1.37 : 1
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Connections

Featured in Suomen historian myytit: Häjyt (2010) See more »

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User Reviews

 
The truth about häjyt
8 August 2006 | by MadFishSee all my reviews

There are some movies in the history of cinema that instead of becoming old start to glow as years go by. "Härmälästä poikia kymmenen" is definitely one of those rare occasions.

The movie is an early version about a group of crooks called "häjyt" who fallow nothing but their own law. As they won't accept to be pushed around there still is a blink of human moral in their behavior. It's interesting how the two identical ways of thinking make a conflict as they are planted in totally different characters - the law-abiding officer and wild Antti.

Tauno Palo is remembered forever for his role as the bad guy but also Ilmari Unho must get a big credit for his calm directing. The subject could easily be shown in the light of admiring the poor criminals as the victims of their time and place like Aleksi Mäkelä does in "Häjyt" (1999) and "Pahat Pojat" (2003). Instead Unho points how small is the difference between the good and the bad and there are no reasons to defend the ones choosing wrong.


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