The new commander of a Navy Underwater Demolition Team--nicknamed "Frogmen"--must earn the respect of the men in his unit, who are still grieving over the death of their former commander and resentful of the new one.
Set during the Korean War, a Navy fighter pilot must come to terms with with his own ambivalence towards the war and the fear of having to bomb a set of highly defended bridges. The ending of this grim war drama is all tension.
The Marines attack a strongly held enemy island in the Pacific. We follow them from the beach to a Japanese rocket site through enemy infested jungle as their ex-school teacher leader is transformed into a battle veteran and his squad becomes a tight fighting unit. Written by
Derek Picken <email@example.com>
Twentieth Century-Fox film studio publicity reveals that studio mogul Darryl F. Zanuck and producer Robert Bassler derived this movie's story from a short Marine film called "Objective-Prisoners" labeling this as "the key". The essence of this short film's plot was the high importance of capturing prisoners-of-war for interrogation as part of the military intelligence rationale. See more »
After Anderson sees Pretty Boy was shot dead, he stands up and shoulders his rifle under his arm, but the next camera shot shows his rifle behind his arm. See more »
[Carl Anderson, chemistry teacher, helping Stuart Conroy with his stuttering has him recite this line]
Hope is the mother of all men.
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