A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
Since he was a child, Bart Tare has always loved guns. After leaving the army, his friends take him to a carnival, where he meets the perfect girl; Annie, a sharp-shooting sideshow performer who loves guns as much as he. The 2 run off and marry, but Annie isn't happy with their financial situation, so at her behest the couple begins a cross-country string of daring robberies. Never one to use guns for killing, Bart's dragged down into oblivion by the greedy and violent nature of the woman he loves.Written by
Martin Lewison <email@example.com>
Although Bart and Laurie are loosely based on Bonnie Parker and Clyde Barrow, the scene in which they hold up the factory appears to have been inspired by a holdup at the Nashville (AR) Coca-Cola factory in 1938 by two men, Floyd Hamilton and Huron "Terrible Ted" Walters. Hamilton was a former associate of Bonnie and Clyde's. See more »
The sheriff takes his arm off the back of the bench twice. See more »
Sharpshooters Ben Tare and Annie Laurie Starr, fall in love at a carnival sideshow, marry soon after and hope for a peaceful married life. When the money runs out Annie tells Ben that using the guns for nefarious purposes will the only way for them to survive. While placid Ben agrees to the proposal, trigger happy Annie soon gets them deeper and deeper in trouble with the law following robbery after robbery, stickup after stickup, until it becomes kill or be killed. Very daring and overlooked film, rises above the status of the B movie genre to which this film is delegated to. Cummins is perfect as the gun-crazed, as well the love-hungry Annie. Great cinematography by Russell Harlan, shooting all of the bank holdups from the back seat of the couple's car, making the audience feel a part of the getaway. Rating, 9 of 10
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