Amanda Wingfield dominates her children with her faded gentility and exaggerated tales of her Southern belle past. Her son plans escape; her daughter withdraws into a dream world. When a "... See full summary »
Eugene O'Neill's updated version of the Oresteia. In New England, after the American Civil War, a war-weary Agamemnon, Ezra Mannon comes home to his unhappy wife (Christine) and loving ... See full summary »
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
Valentine "Snakeskin" Xavier, a trouble-prone drifter trying to go straight, wanders into a small Mississippi town looking for a simple and honest life but finds himself embroiled with problem-filled women.
After County Attorney Dave Connors helps Julia Norman with her shiftless father, Jefferson Norman, she leaves Jericho, Kansas to college to study for a law degree.A few years later, Algeria... See full summary »
This first movie version of the Tennessee Williams play about a faded, aging Southern belle, her shy, crippled daughter and her "selfish dreamer" of a son more or less sticks to the original story, except for a compromise ending which strives to be more upbeat.Written by
Eugene Kim <firstname.lastname@example.org>
The Glass Menagerie (1950) is a glaring example of how Hollywood politics influence film adaptations of stage plays. In the theatre, the celebrated star turn is traditionally Amanda's, followed in stature by Tom, Laura and, at a distant fourth, Jim. The casting of the screen version gives star billing to the characters of Laura (Jane Wyman) and Jim (Kirk Douglas), leaving stage legend Gertrude Lawrence with third billing. Thus, from the first moments of the main title, the film has left many audiences and critics with a sense that the adaptation was skewed. See more »
Ah, when you first meet Mendoza, you don't like him. But, when you get to know him, you hate him.
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One of the few chances to see the great Gertrude Lawrence on screen. her amanda is so complex,manic,gentele,harsh. a truly great performance that was totally ignored by the academy.arthur kennedy too is compelling as tom. a shame he did not do more William's on screen he was one of the major stage interpreters of the man. only jane wyman seems miscast,a bit too character-actressy for the subtlty of the role to shine through.too bad,because without a good laura half the play is lost. a good effort that could have been great if they had not used wyman.
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