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Fortunes of Captain Blood (1950)

Approved | | Action, Adventure, Romance | 19 May 1950 (USA)
When some of his crew are captured by the Spaniards in Rio De La Hacha, pirate Captain Peter Blood enters the city in disguise in order to free his men from Marquis De Riconete's prison.

Director:

Gordon Douglas

Writers:

Michael Hogan (screenplay), Robert Libott (screenplay) | 2 more credits »
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Cast

Cast overview, first billed only:
Louis Hayward ... Captain Peter Blood
Patricia Medina ... Isabelita Sotomayor
George Macready ... Marquis de Riconete
Alfonso Bedoya ... Carmilio
Dona Drake ... Pepita Maria Rosados
Lowell Gilmore ... George Fairfax
Wilton Graff ... Capt. Alvarado
Curt Bois ... King Charles II
Lumsden Hare ... Tom Mannering
Billy Bevan ... Billy Bragg (as William Bevan)
Harry Cording ... Will Ward
Duke York ... Andrew Hardy
Sven Hugo Borg ... Swede
Martin Garralaga ... Antonio Viamonte
James Fairfax James Fairfax ... Nat Russell
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Storyline

When he unwittingly sends some of his men into a trap, pirate Captain Peter Blood decides to rescue them. They've been taken prisoner by the Spanish Marquis de Riconete who is now using them as slave labor harvesting pearls from the sea. With help of the Marquis' daughter Isabelita he not only manages to rescue his men but also vanquishes the Marquis in a sea battle. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

Sabatini's famous buccaneer in swashbuckling adventure...exotic romance!


Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

19 May 1950 (USA) See more »

Also Known As:

Liebe unter schwarzen Segeln See more »

Filming Locations:

Hollywood, California, USA

Company Credits

Production Co:

Columbia Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Goofs

In the beginning of the picture, Captain Blood orders two warning shots fired across the bow of a ship. When they do not respond, he orders the crew to raise the Jolly Roger, which they do. However, the pirate flag was already flying when the shots were fired. See more »

Quotes

[first lines]
Ship's Lookout: Captain Blood! Captain Blood, there's a prize off our starboard bow flying Spanish colors.
Capt. Peter Blood: Bosun.
Boatswain: Aye, sir?
Capt. Peter Blood: Man the guns. Cram on full sail.
Boatswain: [blows whistle] Man the guns!
See more »

Connections

Referenced in Woman on the Run (1950) See more »

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User Reviews

 
Louis Hayward proves there was only one Errol Flynn...
22 June 2007 | by DoylenfSee all my reviews

FORTUNES OF CAPTAIN BLOOD never rises above being a pedestrian take on the Captain Blood legend originated by Rafael Sabatini in his immortal pirate tale, CAPTAIN BLOOD.

This is strictly secondary stuff, with LOUIS HAYWARD as the doctor turned pirate on the high seas. He's competent in the swashbuckling role rather than charismatic--and there lies the difference between him and Flynn. At times, he seems almost bored with his role.

DONA DRAKE does nicely enough as a peasant girl who flirts with Captain Blood (while he's assuming the name of Pedro), and PATRICIA MEDINA is equally at home in her role as a headstrong aristocratic lady. LOWELL GILMORE and GEORGE MACREADY are likewise competent as the rather villainous men interested only in pearls and wealth--but the story and its characters barely rise above the routine in a lifeless pirate tale.

ALFONSO BEDOYA at least furnishes a bit of sly humor as the prison overseer hoodwinked by Captain Blood (he was the man with the famous line about "We don't need no stinkin' badges" from TREASURE OF THE SIERRA MADRE).

But the saga only really comes to life during the last half-hour, and then it's standard pirate swordplay and cannon fire until the predictable happy ending finds Captain Blood and the aristocratic lady sharing a kiss before the fadeout.

Summing up: Standard pirate tale with only occasional flashes of lively swordplay. As for Hayward, he was much better as "The Man in the Iron Mask".


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