The Flying Saucer

This was supposed to be a piece of sci-fi. It is a piece of something other than sci-fi. What a train wreck! There is no acting at all in the film; it sounds like the actors just got their lines after lunch for a few takes. The "flying saucer appears for all of 30 seconds and the one in the cellar (by the way; how did it get there?) is hilarious; it gives off fumes like the old Buck Rogers films of the late thirties. My motorcycle can go faster than that. What a turkey; don't waste your time.

This film was a disappointment simply because I expected that it would be all about aliens. After all, with a title like "The Flying Saucer" you'd THINK it would be sci-fi...but it isn't. I LOVE cheesy 50s sci-fi. What you have instead is a Cold War Commie film- --which is interesting just because so many people have talked about how the sci-fi films of the day were actually metaphors for the West's paranoia and struggle with communism.

Mike is begged to become a special agent for the US government. However, he's very apprehensive to go and seems like a loser--and their picking him because he's a native Alaskan seemed silly. There MUST have been some other Alaskans who were more qualified than this drip! Eventually he goes and is assisted by an agent posing as his nurse. The reason they're going? Well, the Russians MIGHT have developed some top secret UFO and Mike and Vee (an odd name for a lady) are there to investigate covertly.

I was surprised that the film actually WAS filmed, in part, in Alaska. I expected lots of crappy stock footage but they really went places in this 49th state and I recognized the glacier in Juneau which was the backdrop for many scenes. It actually is a really lovely film despite being in black & white.

Unfortunately, the story itself is cheesy. Much of it consists of voice-over narration and the story is amazingly slow and dull considering it's about the Red menace! Other 50s anti-Commie films were certainly more exciting than this one. The leading man, Mike (Mikel Conrad) isn't exactly Mr. Charisma and having much of the story rest on his shoulders wasn't a good idea in hindsight. James Bond he wasn't! Perhaps he's all they could afford after blowing most of the budget getting everyone to Alaska! Overall it's a terribly dull thing that only gets a 2 because of the nice scenery. Probably not worth your time unless you are (like me) incredibly lame.

Folks, there are no words; hyperbole fails us. This movie is so incredibly bad, so stultifyingly boring, that it has to be seen to be believed. Granted, it was made in 1950, and, granted, there obviously wasn't much of a budget, but really. . .! Yes, we will allow that it was, after all, one of the first films to deal with the subject of UFOs (and CIA cover-ups, and Russian hoaxes, and a Canadian connection) but, after a mildly promising start, the film plays largely as if it were funded by the Alaska Board of Tourism - ENDLESS tableaux of glaciers, and wildlife, and rivers, and more glaciers, but precious little action, and even less in the way of FX. The saucer, when FINALLY seen, looks like something out of "Killers From Space." The fact that this cowflop of a film was made in 1950 doesn't really save it, either: both "The Thing" and "The Man from Planet X" were made right around the same time, and are far better efforts. In the case of "The Man from Planet X", that one was made for around $50,000.00 and was shot in six days on borrowed sets, and it was still better! In short, "The Flying Saucer" isn't just crummier than you think, it's crummier than you CAN think! If you really want to see early UFO films, see the above mentioned pair; don't - repeat, DON'T - waste your time with "The Flying Saucer".

Dismissed by the late Bill Warren of consisting largely of "a rather dull travelogue of Alaska" but breaking new ground on the discussion of UFOs this film confused the debate on flying saucers under the misconception that there was actually only one flying saucer despite the first sighting in 1947 of several such craft gliding like saucers skimming across water.

Conforming to the then prevailing notion that flying saucers originated behind the Iron Curtain the baddie's hideout is presided over by a Teutonic Mrs Danvers, capable of instilling with menace lines like "You forgot your thermos, Mr Trent!", although the profession of his partners in crime to "the cause" marks them out as followers of Uncle Joe.

For the most part it justifies Warren's criticism but when it finally appears the flying saucer although rather resembling one of Ed Wood's hubcaps lives provides a lively conclusion.

Whenever I think about this movie, the scene that comes to mind is when the head bad-guy machine-guns one of his own henchmen to get the hero who is using the poor sap as a shield, figuring that the Evil Russian won't kill his own lackey. The E.R. than proceeds to pump about fifty rounds into the poor chump, but the hero is not hit once. Anyone with military or police experience knows that a human body will not serve as protection against a Thompson sub-machine gun shot from less than ten feet away. In real life, the hero would have been a sieve.

Now, the fact that this is what stuck with me about this movie is actually too bad. The shots of Alaskan scenery are terrific and the basic story was not too badly conceived. The plot as it is played out and dialog however are in the poor to horrid range. Not bad enough to be funny, disjointed and entirely unacceptable as to the actions of the hero and heroine who are supposed to be high level secret operatives, the abrupt ending typifies the entire movie.