6.8/10
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27 user 21 critic

Dark City (1950)

Not Rated | | Crime, Drama, Film-Noir | 1951 (Chile)
Gamblers who "took" an out-of-town sucker in a crooked poker game feel shadowy vengeance closing in on them.

Director:

William Dieterle

Writers:

John Meredyth Lucas (screenplay), Lawrence B. Marcus (screenplay) (as Larry Marcus) | 2 more credits »
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Cast

Complete credited cast:
Charlton Heston ... Danny Haley
Lizabeth Scott ... Fran Garland
Viveca Lindfors ... Victoria Winant
Dean Jagger ... Capt. Garvey
Don DeFore ... Arthur Winant
Jack Webb ... Augie
Ed Begley ... Barney
Harry Morgan ... Soldier (as Henry Morgan)
Walter Sande ... Swede
Mark Keuning Mark Keuning ... Billy Winant
Mike Mazurki ... Sidney Winant
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Storyline

Danny Haley's bookie operation is shut down, so he and his pals need money; when Danny meets Arthur Winant, a sucker from out of town, he decoys him into a series of poker games where eventually Winant loses $5000 that isn't his...then hangs himself. But it seems Winant had a shadowy, protective elder brother who believes in personal revenge. And each of the card players in turn feels a faceless doom inexorably closing in. Dark streets and sexy torch-singer Fran lend ambience. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Plot Synopsis

Taglines:

Ripped from the Heart of the Underworld! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

1951 (Chile) See more »

Also Known As:

No Escape See more »

Company Credits

Production Co:

Hal Wallis Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The original Flamingo Hotel in Las Vegas is used in a shot of the exterior of Swede's, when Danny drives off in Soldier's car. The words FLAMINGO on the vertical sign were covered over in a production shot to read CASINO. As Danny pulls out of the parking lot onto what was then Highway 91, he passes another sign that clearly reads Flamingo. The Flamingo's chapel can also be seen. See more »

Goofs

In the first poker scene, the very first card dealt by 'Danny Haley' lands on a short stack of chips. An instant later, after the cut to the wider overhead shot, the card is no longer on the stack of chips. (And the chip stack sizes and positions have changed). See more »

Quotes

Augie: Soldier doesn't worry you, huh?
Danny Haley: Soldier?
Augie: These guys that go nuts from punches in the head - you never know with them.
Danny Haley: You never know with anybody, Augie.
See more »

Connections

Referenced in Dark City (1998) See more »

Soundtracks

THAT OLD BLACK MAGIC
(uncredited)
Music by Harold Arlen
Lyrics Johnny Mercer
Performed by Lizabeth Scott (dubbed by Trudy Stevens)
See more »

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User Reviews

 
Not that old black magic...
13 September 2011 | by jbacks3See all my reviews

Dark City is likely most notable as being Chuck Heston's film debut. But it's also worth seeing for then-supporting actor Jack Webb (actually quite good) teaming with Harry Morgan, some 16 years before they'd pair up in the color reincarnation of Dragnet 1966. It's also significant in the script acknowledging the ugly possibilities of returning to post-WWII society (albeit without the impact of the vaguely similar theme of 1932's I Am A Fugitive Of a Chain Gain and WWI, or the more recent The Best Years of Our Lives). With the talent involved I'd expected a noir classic... but Dark City solidly misses the mark. What's wrong? I can name 3 things: The subplot involving grieving widow Viveca Lindfors is all wrong and slows the picture down to a crawl (and frankly it makes Heston look creepy in the pursuit of her--- without giving away why). The suspense of the mystery homicidally-inclined brother just isn't there. And I personally hated the lip sync'd intrusion of Lizbeth Scott's songs (I found myself saying "why weren't these whittled down in the editing room?"). Director William Dieterle's career was inexplicably on a slide by 1950 and his work here could best be described as yeoman-like. There's absolutely nothing wrong with any of the performances... it's just the script needed about 20 pages tossed and the musical numbers axed.


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