A police detective investigating a jewel robbery discovers evidence that points to his girlfriend as the culprit, although she claims she was framed. He arrests her anyway, and she is ... See full summary »
Barry Sulivan is a cynical gangster who controls the Neptune Beach waterfront. He runs a numbers racket with the local soda shop owner: the police are in his pocket and the local hoods are on his payroll.
A tough lady gangster learns that she will be totally blind within a week. She seeks help from the one eye surgeon who may be able to save her sight. In the process, he also causes her to ... See full summary »
Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
The murder of gangster Nick Prenta touches off an investigation of mysterious socialite Lorna Hansen Forbes, who seems to have no past, and has now disappeared. In flashback, we see the woman's anonymous roots; her poor working-class marriage, which ends in tragedy and her determination to find "better things." Soon finding that sex appeal is her only salable commodity, she climbs from man to man toward the center of a nationwide crime syndicate...a very perilous position.Written by
Rod Crawford <email@example.com>
Joan Crawford and David Brian also appeared together in the previous year's film noir, Flamingo Road. See more »
[intercepting and examining the check she's offered for her gambling losses]
Your check's no good, Mrs. Forbes.
My check's good anywhere.
[tearing up the check]
That's right. I'm fresh. But I'm also generous. Tonight, you're the guest of the house. Now tomorrow night, that's different. Tomorrow night you can lose your shirt.
[looks her over and bends closer]
I'll even pay to see that.
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The hard-working Joan Crawford scores again in this 1950 film. Here she plays a working-class mom who witnesses her son get killed while she's fighting with her oafish husband (Richard Egan). She bails the marriage and ends up as a two-bit model in a small dress manufacturing company. She models and takes clients out for a good time.
The she meets a timid bookkeeper (Kent Smith)and together they worm their way into a mob-like syndicate run by brutal David Brian. As they work their way up the ladder, Joan's small-town girl is transformed into a faux oil heiress/socialite with the help of a real-lie but broke socialite (Selena Royle). But when Joan is asked to head west (to Las Vegas) to get the goods on a scheming subordinate (Steve Cochran), all hell breaks loose.
Crawford is superb here. At age 45 or so she looks great and gets to display a range of emotions as the tough-and-determined Ethel/Lorna. Egan, Royle, Brian, and Cochran are all excellent. This one ranks among Crawford's best Warners films and not to be missed.
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