In pre-World War II Sicily, just as the fascists come to power, two men fall in love with the same woman. The changes in their country's politics ultimately take all three on a journey across the ocean to New York.
Sofia, 20, lives with her parents in Casablanca. Following a denial of pregnancy, she finds herself illegally giving birth to a baby out of wedlock. The hospital leaves him 24h to provide ... See full summary »
Before Dawn charts the years of exile in the life of famous Jewish Austrian writer Stefan Zweig, his inner struggle for the "right attitude" toward the events in war torn Europe, and his search for a new home.
Nahuel Pérez Biscayart
In a town on the French Riviera, detective Yvonne is the young widow of police chief Santi, a local hero. When she realizes her husband was not exactly the model of virtue so idolized by ... See full summary »
France, 1640: Cyrano, the charismatic swordsman-poet with the absurd nose, hopelessly loves the beauteous Roxane; she, in turn, confesses to Cyrano her love for the handsome but tongue-tied Christian. The chivalrous Cyrano sets up with Christian an innocent deception, with tragic results. Much cut from the play, but dialogue not rewritten.Written by
Rod Crawford <email@example.com>
The false nose that José Ferrer wore as Cyrano was reported to have cost United Artists $1,500. See more »
In the film's opening scene, after Cyrano starts to leave the theatre along with the others, Roxane bids good night to DeGuiche and Valvert and seems to exit, but moments later she is seen watching Cyrano's duel in the theatre. We never see her re-enter. See more »
Thrice happy he who hides from pomp and power/ In sylvan shade or or solitary bower/ Where balmy zephyrs fan his burning cheeks...
Cyrano de Bergerac:
Clown! King of Clowns! Leave the stage at once!
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Also available in a computer colorized version. See more »
This movie is worth seeing for Jose Ferrer's performance alone. The other actors are just okay. My primary language is French and I have also seen Depardieu's version, which is great. But *nothing* can approach Ferrer's. This film is a must-see for drama-students. Where, Oh where !, has American cinema gone ?
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