In pre-World War II Sicily, just as the fascists come to power, two men fall in love with the same woman. The changes in their country's politics ultimately take all three on a journey across the ocean to New York City.
While a world war rages, Philippe, a draft-dodger from Quebec, takes refuge in the American West, surviving by competing in Charlie Chaplin impersonation contests. As Philippe makes his ... See full summary »
Political and sexual repression in Hungary, just after the revolution of 1956. In 1958, the body of Eva Szalanczky, a political journalist, is discovered near the border. Her friend Livia ... See full summary »
Sofia, 20, lives with her parents in Casablanca. Following a denial of pregnancy, she finds herself illegally giving birth to a baby out of wedlock. The hospital leaves her 24h to provide ... See full summary »
Corbiau repeats the Farinelli formula, artistic rivalry and social private drama expressed in dazzling, sometimes excessively lavish baroque scenery, music and costume, but this time in its... See full summary »
France, 1640: Cyrano, the charismatic swordsman-poet with the absurd nose, hopelessly loves the beauteous Roxane; she, in turn, confesses to Cyrano her love for the handsome but tongue-tied Christian. The chivalrous Cyrano sets up with Christian an innocent deception, with tragic results. Much cut from the play, but dialogue not rewritten.Written by
Rod Crawford <email@example.com>
Edmond Rostand took much inspiration from Alexandre Dumas's musketeer novels in writing his play. It takes place during the same historical period, the early 17th century, and involves some of the same characters. Dumas' hero, d'Artagnan, makes a brief appearance in the play, though he is frequently left out of film versions. Cyrano and d'Artagnan appear together in many stories published in the late 19th and early 20th centuries, and on film in Cyrano et d'Artagnan (1964), in which José Ferrer once again played Cyrano. The main antagonist of The Three Musketeers is Cardinal Richelieu. As portrayed in this film, the historical Comte de Guice, Antoine de Gramont III, was married to Richelieu's niece. His son, Armand de Gramont, succeeded him as Comte de Guiche, and is featured as a character in Dumas' latter Musketeer novels, "Twenty Years After" and "The Viscount of Bragelonne" (aka "The Man in the Iron Mask"). He is portrayed as the closest friend of Raul, whose father is the Musketeer Athos. In the film The Fifth Musketeer (1979); based on "The Viscount of Bragelonne", Athos is played by José Ferrer. See more »
In the film's opening scene, after Cyrano starts to leave the theatre along with the others, Roxane bids good night to DeGuiche and Valvert and seems to exit, but moments later she is seen watching Cyrano's duel in the theatre. We never see her re-enter. See more »
Thrice happy he who hides from pomp and power/ In sylvan shade or or solitary bower/ Where balmy zephyrs fan his burning cheeks...
Cyrano de Bergerac:
Clown! King of Clowns! Leave the stage at once!
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Also available in a computer colorized version. See more »
Back years ago in high school studying Cyrano de Bergerac, with a textbook having pictures from this film, one of the other students asked simply why didn't he just get a nose job? It got a lot of amusement when the teacher told her that that procedure just wasn't available in Cardinal Richelieu's France.
I'm afraid that that might be the feeling of a lot of readers of the play and viewers of the film. Rostand, who wrote the play in the 19th century about the 17th century might as well have been writing about people on Mars.
If they take that tack then folks will be losing out on appreciating a great play and role essayed by a man who possessed one of the great speaking voices of the century. Jose Ferrer puts everyone else in the cast to shame with his performance of Cyrano.
To be sure Cyrano de Bergerac is a one man play. All the other characters Rostand gave absolutely no depth to. Roxanne is a sweet young girl looking for romance, Christian is a handsome dunce, Comte de Guiche is a Snidely Whiplash villain. But Cyrano, you have to be a real actor to play that one.
Cyrano is a soldier, writer, swordsman even a gourmet of sorts. But that proboscis fills him with doubt when the opposite sex is concerned. He's a tortured soul and Ferrer gives THE interpretation of Cyrano. It will be so a hundred years from now. He's a swashbuckler to be sure, but you certainly couldn't cast any of the normal movie swashbucklers in that part.
I don't know if the MTV generation will feel like my classmate of years ago, but if they turn away from music videos and watch this, they will be treated to a once in a lifetime acting performance.
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