Story of a Love Affair (1950)

Paola is a young, beautiful woman married to a wealthy entrepreneur. She meets her former lover Guido after seven years, but their relationship is marked by tragic events.

Director:

Michelangelo Antonioni

Writers:

Michelangelo Antonioni (story), Michelangelo Antonioni (screenplay)

Stars:

Lucia Bosé, Massimo Girotti, Ferdinando Sarmi

2 wins & 1 nomination.

Cast

Credited cast:
Lucia Bosé	...	Paola Molon Fontana
Massimo Girotti	...	Guido
Ferdinando Sarmi	...	Enrico Fontana
Gino Rossi	...	Carloni, the detective
Marika Rowsky	...	Joy, the model
Rosi Mirafiore	...	Barmaid
Rubi D'Alma	...	Paola's friend
Anita Farra
Carlo Gazzabini	...	(as Carlo Gazzapini)
Nardo Rimediotti
Renato Burrini
Vittorio Manfrino
Vittoria Mondello	...	Matilde
Franco Fabrizi	...	Fashion show presentator
Rest of cast listed alphabetically:
Gino Cervi

Storyline

Paola (Lucia Bose) is the beautiful and jealously-guarded younger wife of a shady factory owner, Enrico Fontana (Ferdinando Sarmi). In order to investigate her romantic history he hires a private detective, which ironically brings Paola back into contact with former lover Guido (Massimo Girotti), with whom she resurrects a lost passion. Dogged by the suspicions of their respective mates, they are drawn closer to each other in the face of adversity, and begin to plot Enrico's demise. But when the challenge of being together falls away, will the passion start to wane? A masterpiece of intensity and finely-wrought emotion.

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Plot Keywords:

italy | disillusionment | passion | private detective | directorial debut | 

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Taglines:

Where Antonioni begins...his first feature film

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Genres:

Crime | Drama | Romance

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Certificate:

Not Rated

Details

Country:

Italy

Language:

Italian

Release Date:

30 April 1975 (USA)

Also Known As:

Paula

Filming Locations:

FERT Studios, Turin, Piedmont, Italy

Company Credits

Production Co:

Villani Film

Technical Specs

Runtime:

98 min

Sound Mix:

Mono (Western Electric)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

This drew a lot of criticism from the influential neo-realist movement who viewed the film as a celebration of the aristocracy as opposed to the poor working classes.

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Goofs

After Paola says, "Leave me alone," the camera moves to follow her as she collapses onto her bed. In the upper right corner of the frame, a white drape can be briefly seen before it is pulled out of the path of the camera.

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Connections

Featured in Cinema: Alguns Cortes - Censura III (2015)

User Reviews

Before "The Adventure"

Antononoi's first feature film deals with a jealous husband looking into the past of his wife, Paola, via private investigator, which inadvertently gets her back together with an old lover, Guido, who unlike the rich wife, is a poor, barely scraping by car salesman. Although the two seem to be in love with each other, the difference in economic status and Paola's marriage keep them apart. Also looming over them is the shadow of an "accident" they feel responsible for.

Many have called this a sort of noir, and it's easy to see why. Paola could be seen as bordering the line of a femme fatale, there's the past catching up, the grey morality of the characters, etc. However if one were to watch this alongside noirs like Double Indemnity, Laura, and Out of the Past, they would fine "Story of a Love Affair" feels completely different, and besides these tropes, hardly feels like a noir. It would be safer to say the film has noir elements.

Like a number of Antononoi's later works, the film deals with alienation, as well as the bourgeoise. The disenfranchised characters who easily fall into damning passions is present here. The plot is very intricate and the film is carried by mostly dialogue, as opposed to later films where imagery would play more prominence. Although not as grandiose as the cinematography from films like "The Adventure" and "la Notte", his touches can certainly be seen in this splendidly crafted first film.

Thankfully, the writing and characterization is more than enough to carry things here. The multitude of plot threads, characters and themes are woven masterfully, and while not featuring the most sympathetic characters in the world, they are certainly fascinating ones, and that's enough.

If you can find this and are a fan of these kinds of films, it's well worth checking out.