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Cinderella (1950)

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When Cinderella's cruel stepmother prevents her from attending the Royal Ball, she gets some unexpected help from the lovable mice Gus and Jaq, and from her Fairy Godmother.

Writers:

Charles Perrault (from the original classic by), Bill Peet (story) (as William Peed) | 7 more credits »
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Popularity
2,930 ( 242)
Nominated for 3 Oscars. Another 6 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ilene Woods ... Cinderella (voice)
Eleanor Audley ... Lady Tremaine (voice)
Verna Felton ... Fairy Godmother (voice)
Claire Du Brey ... (as Claire DuBrey) (credit only)
Rhoda Williams Rhoda Williams ... Drizella (voice)
James MacDonald James MacDonald ... Jaq / Gus (voice) (as James Macdonald)
Helene Stanley ... (credit only)
Luis Van Rooten Luis Van Rooten ... King / Grand Duke (voice)
Don Barclay ... Doorman (voice)
Lucille Bliss ... Anastasia (voice)
Jeffrey Stone ... (voice) (as John Fontaine)
Mike Douglas ... Prince Charming (singing voice)
William Phipps ... Prince Charming (voice)
Marion Darlington Marion Darlington ... Birds (voice)
Earl Keen Earl Keen ... Bruno (voice)
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Storyline

Cinderella, the beautiful and kind-hearted daughter, sees her world turn upside down when her beloved mother dies, and her pained father remarries another woman, the wicked Lady Tremaine, who has two equally cruel daughters, the jealous Anastasia and Drizella. But, once more, things will go from bad to worse, When Cinderella's father, too, dies, leaving her all alone in the Lady's clutches to serve as her maid-of-all-work. Under those circumstances, a shabby and neglected Cinderella doesn't stand much of a chance of attending the King's royal ball--let alone, captivate the handsome Prince--unless she turns to her loving Fairy Godmother who has quite a few tricks up her sleeve. Nevertheless, will the wronged damsel ever find peace--and with it--her own Prince Charming ? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

For All the World to Love! See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

4 March 1950 (USA) See more »

Also Known As:

Cinderella See more »

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Box Office

Budget:

$2,900,000 (estimated)

Opening Weekend USA:

$1,300,000, 18 December 1981, Limited Release

Gross USA:

$85,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)| Mono (1939 Reissue) (Dolby Digital 1.0) (Dolby Digital 1.0 Mono) (Mono)| Mono (1939 Reissue) (RCA Sound System) (Mono)| Mono (MovieTone)| Mono (1939 Reissue)| Mono (RCA Sound Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

According to Les Harding in his book "They Knew Marilyn Monroe", a popular legend arose that Marilyn Monroe was the physical model for Cinderella. It seemed that someone within the Disney organization heard a critic say that Cinderella was too voluptuous. This was in 1954, and the reigning queen of voluptuousness was Marilyn Monroe. The fact that Monroe was not connected to the Walt Disney Productions and was all but unknown in 1949 when the film was in production, did not stop the rumormongers. An actress named Helene Stanley was the actual model for Cinderella. See more »

Goofs

When Cinderella wakes Lucifer up he comes out of the room, yawns and makes scratch marks on the floor. Next time we see the floor near the stepmother's room the scratches have disappeared. See more »

Quotes

[first lines]
Narrator: Once upon a time in a faraway land, there was a tiny kingdom; peaceful, prosperous, and rich in romance and tradition. Here in a stately chateau, there lived a widowed gentleman, and his little daughter, Cinderella. Although he was a kind and devoted father, and gave his beloved child every luxury and comfort, still, he felt she needed a mother's care. And so he married again, choosing for his second wife, a woman of good family, with two daughters just Cinderella's age, by name, ...
See more »

Crazy Credits

In lieu of a cast list, the opening credits specify "with the talents of" followed by nine names: Ilene Woods, Eleanor Audley, Verna Felton, Claire Du Brey, Rhoda Williams, James MacDonald, Helene Stanley, Luis Van Rooten, and Don Barclay. However, only seven of these persons provided voices for the animated characters (according to studio records) and are listed in the cast. Both Stanley and Du Brey were live action models to help the artists animate the humans. They were placed in the miscellaneous section. See more »

Alternate Versions

In the 1988 video, instead of the original RKO logo, the film opens with the complete Walt Disney Pictures logo, with the Walt Disney Pictures theme replacing part of the title song. For the 1995 video, the portion of the song was restored, but a Buena Vista credit replaced the RKO logo. (The 1995 laserdisc used the original RKO logo; the familiar blue logo appears before and after the film, but not replacing any part. In the 2012 Blu-Ray/DVD, the familiar blue logo wasn't used at all and the original RKO logo was restored.) For the 2005 DVD, the movie opens with a shortened Walt Disney Pictures logo accompanied by the part of the song that played with the RKO logo. See more »

Connections

Referenced in Mickey Mouse: Croissant de Triomphe (2013) See more »

Soundtracks

The Work Song
(uncredited)
Music and Lyrics by Mack David, Jerry Livingston, and Al Hoffman
Performed by James MacDonald and several mice
See more »

Frequently Asked Questions

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User Reviews

My first movie
16 April 2000 | by nunvalSee all my reviews

This is the first movie I have ever seen and it was love at first sight. Since then I've watched it a hundred times or so and collected the video in many languages. Cinderella is wonderful, funny and rich. I know that many people remember it for the mice and Lucifer, but look at the human figures: they're (with the exception of the Prince) perfect and truly convincing. For example the relationship between Cinderella and the stepmother is strongly rendered and it's clear that the girl fears that woman. The sequence of the fairy godmother is one of the best of all Disney films (what a dream the transformation of the dress) and the ball episode is exciting and fascinating in both drawing (note the use of the shadows at a time when computer coloring was far away), dialogue and music (the Cinderella Waltz "So this is love" is enchanting).


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