A businessman shows up in Washington to lobby agendas that are friendly to his construction plans. His ditsy ex-showgirl bimbo proves to be an embarrassment in social situations, so he ... See full summary »
After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rash&... See full summary »
A young man in love with a girl from a rich family finds his unorthodox plan to go on holiday for the early years of his life met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.
Uncouth, loud-mouth junkyard tycoon Harry Brock descends upon Washington D.C. to buy himself a congressman or two, bringing with him his mistress, ex-showgirl Billie Dawn. Brock hires newspaperman Paul Verrall to see if he can soften her rough edges and make her more presentable in capital society. But Harry gets more than he bargained for as Billie absorbs Verall's lessons in U.S. history and not only comes to the realization that Harry is nothing but a two-bit, corrupt crook, but in the process also falls in love with her handsome tutor.Written by
Paul Penna <email@example.com>
To help facilitate shooting, George Cukor decided to rehearse Born Yesterday (1950) as if it were still a stage play. For two weeks, the cast worked on their lines while a construction crew built a 300-seat mini-theater within one of the studio's sound-stages. It was there that Judy Holliday, William Holden and Broderick Crawford gave six performances in front of a live audience so that Cukor could precision-time the pacing of the film's jokes. See more »
In the final scene of the movie Billie and Paul are pulled over by a motorcycle cop. There are three shots, one of them driving to the curb, one of them talking to the officer, and then driving away. The officer who talks to them is obviously much older (and bigger) than the thin young man in the first and third shots. See more »
One night I brought home a hundred dollars and gave it to him. You know what he did?... Well, it sure didn't do the plumbing no good.
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She bursts into the screen. Every tiny little nuance in her extraordinarily telling eyes are absolutely true and we surrender to her persona without even thinking about it. She was miraculous. "I'm stupid and I like it" she tells William Holden with devastating sincerity. She exudes such honesty that it's impossible to be indifferent to her. Ruth Gordon and Garson Kannin concocted a realistic fairy tale that Judy Holliday inhabits (rather than inhibits)with overwhelming naturalness. It is a sensational creation and George Cukor, as usual, puts the camera at her service to magnificent results. Look at the card game, no cut aways from her face for which, I was enormously grateful. If you haven't seen it, rent it now. You'll have an unforgettable time.
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