A businessman shows up in Washington to lobby agendas that are friendly to his construction plans. His ditsy ex-showgirl bimbo proves to be an embarrassment in social situations, so he ... See full summary »
After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rash&... See full summary »
A young man in love with a girl from a rich family finds his unorthodox plan to go on holiday for the early years of his life met with skepticism by everyone except for his fiancée's eccentric sister and long-suffering brother.
Uncouth, loud-mouth junkyard tycoon Harry Brock descends upon Washington D.C. to buy himself a congressman or two, bringing with him his mistress, ex-showgirl Billie Dawn. Brock hires newspaperman Paul Verrall to see if he can soften her rough edges and make her more presentable in capital society. But Harry gets more than he bargained for as Billie absorbs Verall's lessons in U.S. history and not only comes to the realization that Harry is nothing but a two-bit, corrupt crook, but in the process also falls in love with her handsome tutor.Written by
Paul Penna <email@example.com>
The rough cut was so impressive that Harry Cohn ordered the film completed earlier than scheduled so it would qualify for the 1950 Academy Awards®. See more »
The position of the screen with bookshelf picture on it changes several times during the last scene in that room. It varies was being nearly closed (almost flat) to varying degrees of being opened. See more »
Because when ya steal from the government, you're stealing from yourself, ya dumb ox.
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She bursts into the screen. Every tiny little nuance in her extraordinarily telling eyes are absolutely true and we surrender to her persona without even thinking about it. She was miraculous. "I'm stupid and I like it" she tells William Holden with devastating sincerity. She exudes such honesty that it's impossible to be indifferent to her. Ruth Gordon and Garson Kannin concocted a realistic fairy tale that Judy Holliday inhabits (rather than inhibits)with overwhelming naturalness. It is a sensational creation and George Cukor, as usual, puts the camera at her service to magnificent results. Look at the card game, no cut aways from her face for which, I was enormously grateful. If you haven't seen it, rent it now. You'll have an unforgettable time.
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