An American scientist is sent by the CIA to East Germany to retrieve a secret microfilm from a Soviet scientist interested in defecting to the West but the Stasi secret police's surveillance complicates matters.
In 1948, the Soviet Union blockades the Allied sectors of Berlin to bring the entire city under their control. A semi-documentary about the resulting Berlin Airlift gives way to stories of two fictitious U.S. Air Force participants: Sgt. Hank Kowalski, whose hatred of Germans proves resistant to change, and Sgt. Danny McCullough, whose pursuit of an attractive German war widow gives him a crash course in the seamy side of occupied Berlin.Written by
Rod Crawford <firstname.lastname@example.org>
Aerial photography was accomplished using a Fairchild C-82 Packet. The primary advantage of using this aircraft was its rear fuselage door between the twin tail booms could be removed to allow for 170 degree shooting angles. See more »
When the white paint is first spilled on "Danny" (Montgomery Cliff) it splashed mostly on the lower part of the front of his uniform, from the chest down. Later, almost his entire uniform, front and back, had some paint from the shoulders down. See more »
Opening credits prologue: This picture was made in occupied Germany. All scenes were photographed in the exact locale associated with the story, including episodes in the American, French, British and Russian sectors of Berlin.
With the exception of Montgomery Clift and Paul Douglas, all military personnel appearing in this film are actual members of the U.S. Armed Forces on duty in Germany. See more »
Montgomery Clift had made his screen debut in 1947 in The Search and in the short period of four years made some films considered now as classics. He was also in Red River. The Heiress, and A Place in the Sun. The Big Lift doesn't belong in that category.
Still it's an intriguing idea that George Seaton. With only five actors in the plot, have the rest of the film be actual army personnel and German civilians. And the amateur cast does fine playing themselves. I guess it saved a whole lot salary. It gives the movie a documentary feel to it.
Monty and Paul Douglas are two American GIs participating in The Berlin Airlift. This was America and it's allies Great Britain and France in a joint effort to airlift supplies into Berlin after Stalin closed off ground access to Berlin in an effort to force the other three occupying powers out of Berlin.
It was a great propaganda victory for the west at the beginning of the Cold War. Fed a hungry city at the same time calling Joe Stalin's bluff. One Harry Truman's best decisions as President, a win/win for sure.
The story involves Clift and Douglas and their interaction with some German civilians they hooked up with. Clift is a sensitive soul as he always is and Douglas is the rough hewn, but kindly type he usually is. They have differing views about the Germans from fighting them in the late War which was only five years old at the time The Big Lift was made.
Let us say that both of them learn something from their experiences by the time the film ends and the Berlin Airlift is officially over.
Not in the pantheon of great films for Clift and Douglas, but an interesting and in this case historical piece of cinema.
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