Alvin Corwin is low man on the totem pole, and goes from one mishap to another at an army training camp in World War II.Alvin Corwin is low man on the totem pole, and goes from one mishap to another at an army training camp in World War II.Alvin Corwin is low man on the totem pole, and goes from one mishap to another at an army training camp in World War II.Alvin Corwin is low man on the totem pole, and goes from one mishap to another at an army training camp in World War II.Alvin Corwin is low man on the totem pole, and goes from one mishap to another at an army training camp in World War II.
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Danny Dayton
- Supply Sgt. Milleras Supply Sgt. Miller
- (as Dan Dayton)
Stephen Roberts
- Doctoras Doctor
- (as Steve Roberts)
Alvin Corwin is low man on the totem pole, and goes from one mishap to another at an army training camp in World War II.
Top review
One of Their Best
A bunch of comedic misadventures surround an army training camp office.
One of the best of M & L. One reason is a clever script adapted from a stage play. That means better than usual comedic lines, and also that Lewis's mugging isn't the only funny element. Unlike his later films, Lewis complements the laughs here instead of monopolizing them. Also, Martin gets to warble a few tunes in his smooth baritone. I especially like the record-booth duet with Polly Bergen that's really quite charming. And I wonder what happened to the quite talented Jean Ruth as the befuddled Millie who can't seem to decide where she works or whom she's dating. Ruth shows a lot of comedic spark in the role, but appears to have left the industry soon after. Too bad.
Not everything is roses. Being an ex-stage play means the story is pretty much confined to a single set with characters rushing in and out. Keeping up with the diverse lot may require a scorecard. Of course, there's nothing new about the comedic potential of misfits in the military, and this one was followed by several more M&L entries in a similar vein. Anyway, the act here in their first film is still, fresh, energetic and funny.
One of the best of M & L. One reason is a clever script adapted from a stage play. That means better than usual comedic lines, and also that Lewis's mugging isn't the only funny element. Unlike his later films, Lewis complements the laughs here instead of monopolizing them. Also, Martin gets to warble a few tunes in his smooth baritone. I especially like the record-booth duet with Polly Bergen that's really quite charming. And I wonder what happened to the quite talented Jean Ruth as the befuddled Millie who can't seem to decide where she works or whom she's dating. Ruth shows a lot of comedic spark in the role, but appears to have left the industry soon after. Too bad.
Not everything is roses. Being an ex-stage play means the story is pretty much confined to a single set with characters rushing in and out. Keeping up with the diverse lot may require a scorecard. Of course, there's nothing new about the comedic potential of misfits in the military, and this one was followed by several more M&L entries in a similar vein. Anyway, the act here in their first film is still, fresh, energetic and funny.
helpful•42
- dougdoepke
- Mar 19, 2012
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