Eve (Anne Baxter) is waiting backstage to meet her idol, aging Broadway star Margo Channing (Bette Davis). It seems innocent enough as Eve explains that she has seen Margo in EVERY performance of her current play. Only playwright/critic DeWitt (George Sanders) sees through Eve's evil plan, which is to take her parts and her fiancé, Bill Simpson (Gary Merrill). When the fiancé shows no interest, she tries for playwright Lloyd Richards (Hugh Marlowe), but DeWitt stops her. After she accepts her award, she decides to skip the after-party and goes to her room, where a young woman named Phoebe has sneaked into her room and fallen asleep. This is where the "Circle of Life" now comes to fruition as Eve will get played like she played Margo.
Despite their characters' tense relationship on screen, Bette Davis and Anne Baxter got along very well during filming. "The studio tried to play that up all during the filming," recalled Baxter, "but I liked Bette very much. She'd come on the set and go 'Sssssss' at me, but it was just a joke between us." Davis liked Baxter, too, which was quite a compliment as Davis reportedly didn't often like her female co-stars. She felt that Baxter did an excellent job with her part as Eve, and publicly praised her for it. See more »
When the car runs out of gas, the fuel gauge still shows that the tank is just under half full. See more »
"Don't let it worry you", said the camera man, "Even De Mille couldn't see anything looking through the wrong end!" So that was the first and last...
Don't let me kill the point. Or isn't it a story for grownups?
You've heard it - about the time I looked into the wrong end of the camera finder.
Remind me to tell you about the time I looked into the heart of an artichoke.
I'd like to hear it.
Some snowy night, in front of the fire.
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Eddie Fisher is credited in the cast as 'Stage Manager,' although all of his scenes were cut from the released print. This is not the the singer Eddie Fisher, but another actor. See more »
What a genius Joseph L Manckiewicz was. A literary script that is totally accessible. A melodrama for the thinking man. A film that is as engrossing and entertaining every time you see it. Bette Davis touches all the raw nerves of her mythological career. Anne Baxter never went this far. Thelma Ritter became a sort of icon. Marilyn Monroe gives us a preview of forthcoming attractions as a graduated from the "Copacabana" academy of dramatic arts. Celeste Holm represents us, all of us and George Sanders creates a prototype for a cultured monster that is immediately recognizable. I don't recall another film in which the nature of selfishness is so wittily dissected. A total triumph.
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