Alamaailman diktaattori

This film stars Edmund O'Brien as a scheming and brilliant mobster--a far cry from the good guy roles in Film Noir films such as DOA and WHITE HEAT. It seems that although at the beginning of the film he's a simple worker for the phone company, he is an expert with electronics and phone lines, so he's able to help a small California mob grow until it controlled the entire state's bookmaking operation. Not content to be just a bit player, he works his way up to the top of this mob until the "big boys" back East recognize his worth and they want a piece of the action. At first, things work out well for O'Brien and he becomes very rich with this new arrangement. However, over time, this relationship sours. Eventually, O'Brien's greed and feelings of invulnerability take their toll--leading to a stirring finale at Hoover Dam.

As expected, O'Brien did an excellent job and he was one terrific actor--particularly in his gangster films. O'Brien's love interest is Joanne Dru, who plays a screwed up lady who wants to see O'Brien go straight but does nothing to actually change him and also does a lot to excuse his excesses. The national syndicate is headed by veteran actor Otto Kruger, who does a nice job playing the "sophisticated and cultured" thug. Oddly, Howard St. John plays the honest and determined police detective bent on stopping O'Brien--since in most films St. John plays heavies or weak-willed jerks.

Overall, it was a very engaging and original Noir film. In particular, the electronics angle was very, very high-tech for 1950 and still was intriguing today. Also, while this film isn't so violent or full of colorful Noir lingo, it does have enough to satisfy fans of the genre. Overall, it's a very good film but a far cry from the greatness and excitement of the better examples of Noir due to its occasionally heavy-handed "crime does not pay" message. As for me, I prefer my Noir a bit more on the cold side.