From the hills of West Virginia, Amos McCoy moves his family to an inherited farm in California. Grandpa Amos is quick to give advice to his three grandchildren and wonders how his neighbors ever managed without him around.
Stu Bailey and Jeff Spencer were the wisecracking, womanizing private detective heroes of this Warner Brothers drama. Stu and Jeff worked out of an office located at 77 Sunset Strip in Los ... See full summary »
Efrem Zimbalist Jr.,
Mike Nelson is a S.C.U.B.A. diver in the days when it was still very new. He works alone, and the plot was mostly carried through his voice-over narrations. These gave the show a flavor of ... See full summary »
This The George Burns and Gracie Allen Show (1950) spin-off found George Burns relocated to his downtown office working as a producer and trying to deal with an assortment of entertainers and oddball theatrical acts, as well as his previously established friends.
Harry von Zell
Several people filed lawsuits because they shared names with the fictional characters on the show. The writers then began using "safe" names of crew members and their families for various characters to avoid further legal implications. See more »
Well, you see one Christmas my father caught a wild turkey and he fed him corn and chestnuts. But then we didn't have the heart to kill him so we let him get away.
Oh, I see.
But the turkey liked the food so well that he came back each year. And that way we always had...
A turkey for Christmas dinner?
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When the show transitioned from live broadcasts to film in the third season, George Burns found himself footing the bill and decided to drop the "Love Nest" theme which had been utilized in both the original radio series and the first two seasons of the show to avoid paying royalties. During the third season a stock music "theme" from the Mutel music library was utilized; for the fourth season Alexander Laszlo's "Two-a-Day" was used. "Love Nest" returned in the fifth season and replaced the other two themes for syndicated reruns. See more »
This is the television show that broke all the molds. There was no comedienne at the time (or for that matter, any time) better than Gracie! No one could act that dumb! She was poetry to watch. As George used to say, he stood while Gracie talked! What a pair they were. If you can find it, rent the episode about the checkbook. I got dizzy just watching! We can only hope that Nick at Nite goes back further than the 60s for the real classics of TV!
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