The misadventures of two of New York's finest in the 53rd precinct in the Bronx. Toody, the short, stocky and dim-witted one, either saves the day or messes things up, much to the chagrin ... See full summary »
From the hills of West Virginia, Amos McCoy moves his family to an inherited farm in California. Grandpa Amos is quick to give advice to his three grandchildren and wonders how his neighbors ever managed without him around.
This The George Burns and Gracie Allen Show (1950) spin-off found George Burns relocated to his downtown office working as a producer and trying to deal with an assortment of entertainers and oddball theatrical acts, as well as his previously established friends.
Harry von Zell
Stu Bailey and Jeff Spencer were the wisecracking, womanizing private detective heroes of this Warner Brothers drama. Stu and Jeff worked out of an office located at 77 Sunset Strip in Los ... See full summary »
Efrem Zimbalist Jr.,
Mike Nelson is a S.C.U.B.A. diver in the days when it was still very new. He works alone, and the plot was mostly carried through his voice-over narrations. These gave the show a flavor of ... See full summary »
During the first two seasons, this show was on every other week, alternating with various other series on CBS. In season one, it alternated with Starlight Theatre (1950), in season two, it first alternated with The Garry Moore Show (1950), then Star of the Family (1950), and ultimately The Al Pearce Show (1952). It became a weekly show in season three. See more »
Well, you see one Christmas my father caught a wild turkey and he fed him corn and chestnuts. But then we didn't have the heart to kill him so we let him get away.
Oh, I see.
But the turkey liked the food so well that he came back each year. And that way we always had...
A turkey for Christmas dinner?
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Back in the days before supermarket tabloids, there was a story that most Hollywood insiders already knew. George Burns and Gracie Allen, two stage performers who had made their names in the post-vaudeville era, loved each other. For real. Keeping in mind that this wonderful show is often contrasted to I LOVE LUCY -- where the stars ended up in one of the most public divorces Hollywood has ever seen -- that fact is worth remembering. Also worth remembering is that Burns basically played himself. And in his case, playing himself meant playing of the most charming, talented, and gifted storytellers in the world. George Burns practically invented comic timing. And he was a well-liked individual. (So well liked that years later when they were casting the role of GOD, giving him the part was a no-brainer!). Also interesting is the use of the hidden camera to watch the other characters. Not only a "show inside a show," but anticipating a trend that was decades away. Marshall McLuhan was a young man when this show aired, but somehow you know he watched it. Bottom line, not merely a show, a piece of history. With commercials.
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