From the hills of West Virginia, Amos McCoy moves his family to an inherited farm in California. Grandpa Amos is quick to give advice to his three grandchildren and wonders how his neighbors ever managed without him around.
This The George Burns and Gracie Allen Show (1950) spin-off found George Burns relocated to his downtown office working as a producer and trying to deal with an assortment of entertainers and oddball theatrical acts, as well as his previously established friends.
Harry von Zell
Stu Bailey and Jeff Spencer were the wisecracking, womanizing private detective heroes of this Warner Brothers drama. Stu and Jeff worked out of an office located at 77 Sunset Strip in Los ... See full summary »
Efrem Zimbalist Jr.,
Mike Nelson is a S.C.U.B.A. diver in the days when it was still very new. He works alone, and the plot was mostly carried through his voice-over narrations. These gave the show a flavor of ... See full summary »
When the show transitioned from live broadcasts to film in the third season, George Burns found himself footing the bill and decided to drop the "Love Nest" theme which had been utilized in both the original radio series and the first two seasons of the show to avoid paying royalties. During the third season a stock music "theme" from the Mutel music library was utilized; for the fourth season Alexander Laszlo's "Two-a-Day" was used. "Love Nest" returned in the fifth season and replaced the other two themes for syndicated reruns. See more »
In this American sitcom, George Burns and Gracie Allen bring their "Burns and Allen" radio program to television. George Burns, Gracie Allen, and their son (Ronnie Burns) essentially play themselves. The Burns family and their friends constantly find themselves involved in situations which are usually the result of Gracie's state of perpetual confusion.
Many modern audiences have difficulty watching old television sitcoms from the 1950's. The acting seems a bit strange; and, the situations seem a bit exaggerated. One of the reasons why the old sitcoms seem so different from modern ones is that the shows from the fifties were essentially radio programs which were performed in front of television cameras. Audiences might notice that the actors' diction in the old sitcoms is different. Anyone who closes his or her eyes and listens to the audio from a 1950's sitcom will notice that the audio often sounds exactly like a radio show. Furthermore, many of the scenes on Burns' and Allen's show were essentially stand up comedy routines.
Members of modern audiences might be somewhat disappointed by George Burns' character in this sitcom. Many probably know George Burns better from his solo period following Gracie Allen's death. While performing alone, Burns proved himself to be a very funny comedian. During his earlier Burns and Allen period, George Burns usually served as the straight man to the ditzy character played by Gracie Allen. While Burns did demonstrate some of his dry wit during the Burns and Allen era, he also seemed a bit more subdued while reacting to the peculiar things which were said by Allen's character. People need to remember that this was a different period in George Burns' career; and, anyone who gives this show a chance will learn to appreciate Burns' role as a member of a comedy duo.
Some audience members might have difficulty coping with Gracie Allen's character. Many might be irritated by the character's unrelentingly ditzy personality as well as constant state of confusion. For those people, her character might seem excessively silly or exasperating; and, they might wonder why the Burns character would tolerate being married to somebody who was so infuriating. Modern audiences must remember that the characters were developed for the Burns and Allen stand up routine, and were never intended to be subtle or well rounded.
"The George Burns and Gracie Allen Show" provides modern audiences with a fascinating look at television and comedy from an earlier era. Some viewers might find it difficult to get used to some aspects of the show. However, anyone who gives the show a chance will be rewarded; because, it has a way of growing on a person over time.
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