This The George Burns and Gracie Allen Show (1950) spin-off found George Burns relocated to his downtown office working as a producer and trying to deal with an assortment of entertainers and oddball theatrical acts, as well as his previously established friends.
Harry von Zell
Stu Bailey and Jeff Spencer were the wisecracking, womanizing private detective heroes of this Warner Brothers drama. Stu and Jeff worked out of an office located at 77 Sunset Strip in Los ... See full summary »
Efrem Zimbalist Jr.,
From the hills of West Virginia, Amos McCoy moves his family to an inherited farm in California. Grandpa Amos is quick to give advice to his three grandchildren and wonders how his neighbors ever managed without him around.
Mike Nelson is a S.C.U.B.A. diver in the days when it was still very new. He works alone, and the plot was mostly carried through his voice-over narrations. These gave the show a flavor of ... See full summary »
When the show transitioned from live broadcasts to film in the third season, George Burns found himself footing the bill and decided to drop the "Love Nest" theme which had been utilized in both the original radio series and the first two seasons of the show to avoid paying royalties. During the third season a stock music "theme" from the Mutel music library was utilized; for the fourth season Alexander Laszlo's "Two-a-Day" was used. "Love Nest" returned in the fifth season and replaced the other two themes for syndicated reruns. See more »
Back in the days before supermarket tabloids, there was a story that most Hollywood insiders already knew. George Burns and Gracie Allen, two stage performers who had made their names in the post-vaudeville era, loved each other. For real. Keeping in mind that this wonderful show is often contrasted to I LOVE LUCY -- where the stars ended up in one of the most public divorces Hollywood has ever seen -- that fact is worth remembering. Also worth remembering is that Burns basically played himself. And in his case, playing himself meant playing of the most charming, talented, and gifted storytellers in the world. George Burns practically invented comic timing. And he was a well-liked individual. (So well liked that years later when they were casting the role of GOD, giving him the part was a no-brainer!). Also interesting is the use of the hidden camera to watch the other characters. Not only a "show inside a show," but anticipating a trend that was decades away. Marshall McLuhan was a young man when this show aired, but somehow you know he watched it. Bottom line, not merely a show, a piece of history. With commercials.
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