8.2/10
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165 user 90 critic

White Heat (1949)

Not Rated | | Action, Crime, Drama | 3 September 1949 (USA)
A psychopathic criminal with a mother complex makes a daring break from prison and leads his old gang in a chemical plant payroll heist. Shortly after the plan takes place, events take a crazy turn.

Director:

Raoul Walsh

Writers:

Ivan Goff (screen play), Ben Roberts (screen play) | 1 more credit »
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On TV

Airs Sat. Jan. 26, 12:30 PM on TCM

ON DISC
Nominated for 1 Oscar. Another 1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
James Cagney ... Cody Jarrett
Virginia Mayo ... Verna Jarrett
Edmond O'Brien ... Hank Fallon aka Vic Pardo
Margaret Wycherly ... Ma Jarrett
Steve Cochran ... Big Ed Somers
John Archer ... Philip Evans
Wally Cassell ... Cotton Valletti
Fred Clark ... The Trader aka Winston
Edit

Storyline

Cody Jarrett is the sadistic leader of a ruthless gang of thieves. Afflicted by terrible headaches and fiercely devoted to his 'Ma,' Cody is a volatile, violent, and eccentric leader. Cody's top henchman wants to lead the gang and attempts to have an 'accident' happen to Cody, while he is running the gang from in jail. But Cody is saved by an undercover cop, who thereby befriends him and infiltrates the gang. Finally, the stage is set for Cody's ultimate betrayal and downfall, during a big heist at a chemical plant. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Plot Synopsis

Taglines:

Pick up the pieces folks, Jimmy's in action again! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

3 September 1949 (USA) See more »

Also Known As:

Alma negra See more »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Virginia Mayo revealed in an interview that James Cagney was hiding in a different spot than where she had been told he would be during the scene when they are reunited after he's been in prison. He then deliberately missed his cue, causing her shock and fear to be real. She said for a few seconds, she was actually afraid he was going to kill her. See more »

Goofs

In the opening railroad heist, there is a shot of a man jumping down from a tunnel portal onto the train. When he lands the mats used to break his fall can be clearly seen. See more »

Quotes

Ma Jarrett: I told you, Cody hasn't been in California for months.
Philip Evans: I suppose he shot me all the way from another state.
Ma Jarrett: What makes you think *he* shot you? Lots of people have guns.
Philip Evans: I was as close to him as I am to you.
Ma Jarrett: Anybody else see him?
Philip Evans: Just you. And his wife.
Ma Jarrett: Of course, being an old woman, I wouldn't know much about the law, but I hear you got to have *witnesses* to make anything stand up in court.
See more »

Alternate Versions

Also Available in a Colorized Version. See more »

Connections

Referenced in The Simpsons: The Wizard of Evergreen Terrace (1998) See more »

Soundtracks

Five O'Clock Whistle
(1940) (uncredited)
Music by Josef Myrow, Kim Gannon & Gene Irwin
Played on a radio
See more »

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User Reviews

A classic drama and a classic psychological study
25 January 2004 | by nickjgSee all my reviews

Cagney's ability to shock is constant and each new gangster he creates shows a new facet of the psychopathic mind. White heat is the perfect antidote to the earlier movies- the structure where good triumphs in the last reel is still there but the killer, out of control is far less romanticised- if only current directors could develop this message. Cody Jarrett is the product of an over protective mother and thug father in the classic pattern. His whole view of the world is simplistic without subtlety or shade. Like all people of his type his self-confidence betrays him because he sees other people as stereotypes and while he has insight into the sorts of people who form his support network, he, very unwisely, dismisses the intelligence of the opposition. Like all gangsters, he has very little grasp of the outside world- throughout the film he is trapped in boxes, just like the man he kills in the boot of his car. Cagney's portrayal is his greatest role- his avoidance of pathos and his refusal to bend emotionally mean that we are never invited to pity him- wherever there seems to be a point of access for the audience he delivers the lines with a flatness which denies us sympathy. His maudlin obsession with his mother invites us to loathe his infantile mental paralysis.

Not enough comments praise the real co-star: Margaret Wycherley. She is a sinister mother who can handle the police and the gang and Cody's wife. Her world-weary cynicism, her obsession with her son delivered in the same dead-pan style is such a total antithesis to the usual hollywood 'caring parent' model that she raises the character to the level of an Empress Livia or an Agrippina. The final scene works on multiple levels- the good-guy cannot easily destroy the villain- does the world blow up in Cody's face or are we being told that the Jarretts of the world will dominate until they bring the universe to destruction? A film which still demands analysis and does more to reveal the nature of criminal amorality than anything Tarrantino or Scorsese could produce- The latter types of director are too caught up in the 'romance' of the villainous life- they need to develop Raoul Walsh's objectivity and Cagney's penetration. It is Cagney's unequivocal hatred of the character he's portraying and the personal honesty which allows him to objectify both the character he is playing and himself as an actor that makes the whole thing work. The crude method actors we're stuck with today could learn a lot from his Cody Jarrett!


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