6.2/10
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68 user 34 critic

Under Capricorn (1949)

Approved | | Crime, Drama, Romance | 8 October 1949 (USA)
A young gentleman goes to Australia where he reunites with his now married childhood sweetheart, only to find out she has become an alcoholic and harbors dark secrets.

Director:

Alfred Hitchcock

Writers:

John Colton (play), Margaret Linden (play) | 3 more credits »
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1 win. See more awards »

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Cast

Cast overview, first billed only:
Ingrid Bergman ... Lady Henrietta Flusky
Joseph Cotten ... Sam Flusky
Michael Wilding ... Hon. Charles Adare
Margaret Leighton ... Milly
Cecil Parker ... The Governor
Denis O'Dea ... Mr. Corrigan
Jack Watling ... Winter
Harcourt Williams ... The Coachman
John Ruddock John Ruddock ... Mr. Potter
Bill Shine ... Mr. Banks
Victor Lucas ... The Rev. Smiley
Ronald Adam ... Mr. Riggs
Francis De Wolff Francis De Wolff ... Major Wilkins (as Francis de Wolff)
G.H. Mulcaster G.H. Mulcaster ... Dr. Macallister
Olive Sloane ... Sal
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Storyline

In 1831, Irishman Charles Adare (Michael Wilding) travels to Australia to start a new life with the help of his cousin, who has just been appointed Governor. When he arrives, he meets powerful landowner and ex-convict Sam Flusky (Joseph Cotten), who wants to do a business deal with him. While attending a dinner party at Flusky's house, Charles meets Flusky's wife Henrietta (Ingrid Bergman), whom he had known as a child back in Ireland. Henrietta is an alcoholic, and seems to be on the verge of madness. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

Ingrid Bergman Shows You The Heights And The Depths To Which A Woman Like This Can Go! See more »

Genres:

Crime | Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

UK

Language:

English

Release Date:

8 October 1949 (USA) See more »

Also Known As:

Sklavin des Herzens See more »

Company Credits

Production Co:

Transatlantic Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

It was during filming that Ingrid Bergman began her notorious affair with Roberto Rossellini. See more »

Goofs

(at around 1h 02 mins) By way of mentioning an invitation to a ball, Charles tells Hattie and Sam, "Oh by the way, I have a bit of news for you," but his mouth is closed for much of the sentence. See more »

Quotes

[first lines]
Narrator: In seventeen-hundred and seventy, Captain Cook discovered Australia. Sixty years later, the city of Sydney, the capital of New South Wales, had grown on the edge of three million square miles of unknown land. The colony exported raw materials. It imported material even more raw - prisoners, many of them unjustly convicted, who were to be shaped into the pioneers of a great dominion. In eighteen-hundred and thirty-one King William the Fourth sent a new governor to rule the colony. ...
See more »

Crazy Credits

Opening credits roll up over a map of Australia. See more »

Connections

Featured in Alfred Hitchcock: Master of Suspense (2013) See more »

Frequently Asked Questions

See more »

User Reviews

 
Watch it and try not to compare...
15 July 2006 | by indrasnetSee all my reviews

If your approach to reviewing this movie is to compare it with Hitchcock's usual style, Under Capricorn will surely not compare. If, however, you can suspend your expectations and view it with an open eye and mind, you might see that, in its own right, it is an excellent film of the type I refer to as the "Victorian soap opera." Being an aficionado of this "genre", perhaps I'm biased; but I enjoyed immensely the leisurely pace, extended dialog (which unlike other reviewers, I found to be intelligent, graceful, and poetic). I found it to be gently suspenseful, never really being sure who would get the girl in the end, or even who might survive to the end.

Joseph Cotton was appealing, even though his character throughout much of the movie seemed to be villainous, and his reasons for being that way were quite apparent by the end of the film. My suspension of disbelief centered around Bergman's casting as an Irish aristocrat: once in awhile she managed to say a word that had an Irish flavor, but mostly she just sounded Swedish. However, that did not detract at all from her usual thoughtful performance. Michael Wilding irritated me a little with his foppish ways, yet even he managed to come off as a human being with faults and virtues...just like the rest of us. Leighton was superb and she, like Cotton, seemed to be a treacherous yet sympathetic character. I think it was the portrayals of complicated people with no one being painted as totally good or bad, the nuanced characterizations that I found so artistic yet real.

If you approach this movie without preconceptions, you might be drawn into it and appreciate Hitchcock's genius in an entirely different way.


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