A French Intelligence Agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missile Crisis, and then back to France to break up an international Russian spy ring.
In 1831, Irishman Charles Adare (Michael Wilding) travels to Australia to start a new life with the help of his cousin, who has just been appointed Governor. When he arrives, he meets powerful landowner and ex-convict Sam Flusky (Joseph Cotten), who wants to do a business deal with him. While attending a dinner party at Flusky's house, Charles meets Flusky's wife Henrietta (Ingrid Bergman), whom he had known as a child back in Ireland. Henrietta is an alcoholic, and seems to be on the verge of madness.Written by
Col Needham <email@example.com>
According to Michael Wilding's autobiography "The Wilding Way", on one occasion while Ingrid Bergman and Michael Wilding were in the middle of a passionate love scene, Director Sir Alfred Hitchcock let out a howl of pain, then in the most gentle tone said "Please move the camera a little to the right. You have just run over my foot." The x-ray revealed later that the camera's weight had broken Hitchcock's big toe. See more »
At one point in the film, a character says that employees to be fired should be given their "pink slips." The film takes place in 1830s Australia. An article in the New York Times dates the earliest use of the term "pink slip" to 1910. See more »
In seventeen-hundred and seventy, Captain Cook discovered Australia. Sixty years later, the city of Sydney, the capital of New South Wales, had grown on the edge of three million square miles of unknown land. The colony exported raw materials. It imported material even more raw - prisoners, many of them unjustly convicted, who were to be shaped into the pioneers of a great dominion. In eighteen-hundred and thirty-one King William the Fourth sent a new governor to rule the colony. ...
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Opening credits roll up over a map of Australia. See more »
While certainly uncharacteristic of Hitchcock's American films this film still has the Master's unmistakable imprint. Joseph Cotton is excellent in his role as a common man who resents the upper class of which he can never be a part. The rest of the actors do a fine job including Ingrid Bergman's turn as Cotton's drunk half mad wife. Perhaps the best and most interesting aspect of the film is the gorgeous Technicolor cinematography by Jack Cardiff. Cardiff who is probably best known for his work with Powell and Pressburger does a great job bringing the rich color of this period piece to the screen. The camera work is also characteristically Hitchcock with many long traveling shots with wonderfully complex compositions. The pace is slow and lacking suspense, but the characters and the situations are interesting and make the film work despite the pacing problems. Certainly not one of Hitchcock's strongest films, but definitely worth watching.
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