Joe Barrett returns to Tokyo after World War II where he once owned a bar, Tokyo Joe's, and deserted his wife Trina. They have a seven-year-old daughter. Kimura forces Joe into piloting war criminals by revealing that during the war Trina made treasonous propaganda broadcasts.Written by
Ed Stephan <email@example.com>
SCAP, an acronym used several times in the movie, stood for "Supreme Commander of the Allied Powers." This was not only the title given to Gen. Douglas MacArthur, head of the Occupation forces, but was also used to refer to the offices of the Occupation - a staff of several hundred U.S. civil servants as well as military personnel who administered the Occupation of Japan. See more »
When Joe is received by Anya at her birthday party, he is holding the gift box in front of him. The next shot shows him holding the box under his arm. See more »
These Foolish Things (Remind Me of You)
Music by Jack Strachey
Lyrics by Eric Maschwitz (as Holt Marvell) and Harry Link
Sung on a record several times
Sung by Florence Marly at the Tokyo Joe cabaret in flashback
Reprised by an unidentified female at the Tokyo Joe cabaret
Variations in the score throughout the film See more »
Waste, wast, waste!
This could have been a great movie. Post World War II location movies have an intriguing atmosphere. Post-war Japan offered a terrific setting, but the obvious backlot location, with cheesy process shots trying to pass for a Japanese location, ruins the effect.
Alexander Knox is great, sardonic but principled, and Sessue Hayakawa is deliciously malign. Florence Marly is a poor substitute for Lisbeth Scott -- or couldn't Bogey get his own wife Lauren Bacall to work for scale? Bogey himself looks a little shopworn. Even the love child is fat-faced and unappealing.
Compromise pervades the film, from the cardboard sets to the hack director. Because it was cheap, exterior shots were minimal, and so the action scenes, which could have made for a more exciting story, give way to lots of talky interior stuff.
As the studio system weakened, star-owned production companies, like Bogart's, Burt Lancaster's and Alan Ladd's, were in vogue. Stars can't resist the chance to star in a movie where they don't have to take direction, so they often hire weak directors, usually with dismal results. This is one of them.
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