In a futuristic city sharply divided between the working class and the city planners, the son of the city's mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has led to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime.Written by
Mark Thompson <firstname.lastname@example.org>
When Holly and Anna hastily leave the scene of the death of the porter, they are at the site of Harry's Lime's apartment in Josefplatz. They turn the corner and are next seen descending some damaged steps with St Rupert's Church in the background. These two locations are a kilometer apart, quite a distance for a just couple of seconds of screen time. See more »
Don't be so gloomy. After all it's not that awful. Like the fella says, in Italy for 30 years under the Borgias they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly love - they had 500 years of democracy and peace, and what did that produce? The cuckoo clock. So long Holly.
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The UK version features introductory voice-over by the director Carol Reed; in the US version Joseph Cotten provides the voice-over, as his character Holly Martins. The UK version runs 104 minutes, versus the US version at 93 minutes, which was cut by producer David O. Selznick to give the film a tighter pace. Both versions have been released on video in the U.S., but as of today the most common is the longer British cut. A video comparison between the narrations appears on the U.S. Criterion Collection DVD. See more »
Classic and immortal thriller-mystery set in Vienna during the Cold war
The motion picture concerns on an American writer of pulp Western named Holy Martin(Joseph Cotten), he arrives in a post-war devastating Vienna to see his old friend Harry Lime(Orson Welles), but he discovers he has been killed. In the funeral knows a gorgeous scene actress(haunting Alida Valli). Manipulative Harry is a known delinquent drug-dealer, smuggling adulterated penicillin in black-market and master-criminal at large in a Vienna of nightmare divided in four zones, the city is plenty of ruins, trash,devastation,rubbish and debris. Lime is allegedly dead , but is finally pursued throughout the sewers by authorities(Trevor Howard, Bernard Lee, Geoffrey Keen).
Based on Grahame novel's , this classic movie noir thriller is an excellent story lavishly produced by the great American producer David O Selznick and Hungarian producer Alexander Korda. This is a deeply satisfying and intelligent picture for not be missed, using a considerable talent in acting as main cast as secondaries actors formed mostly by foreigners players of various countries and utilizing the cream of British experts in writing and technical departments. With a plethora of anthological images and dialogs such as the scenes about conversation in the fairs between Harry Lime and Martin and the underground-sewers pursuits. Magnificent Orson Welles and Joseph Cotten, great friends in real life; Welles reportedly intervened in direction principally on his scenes, though in an interview he explained that Carol Reed directed totally this outstanding movie.Extraordinary Anton Karas'musical score , though insistent and sometimes irritant zither which hooked itself into the people of the world.Robert Krasker's gorgeous cinematography , reflecting splendidly the shapes, lights, shadows with sophisticated, elegant use of camera angles and deservedly winning an Oscar and nomination for film-making and edition. The film is perfectly directed by Carol Reed in his second adaptation about Grahame Greene novel, the first was 'The fallen idol(1948)' and later 'Our man in Havana(1959)'.
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