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The Third Man (1949)

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Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend, Harry Lime.

Director:

Carol Reed

Writers:

Graham Greene (by), Graham Greene (screen play)
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Popularity
3,412 ( 421)
Top Rated Movies #134 | Won 1 Oscar. Another 4 wins & 4 nominations. See more awards »

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Cast

Complete credited cast:
Joseph Cotten ... Holly Martins
Alida Valli ... Anna Schmidt (as Valli)
Orson Welles ... Harry Lime
Trevor Howard ... Maj. Calloway
Bernard Lee ... Sgt. Paine
Paul Hörbiger ... Karl - Harry's Porter (as Paul Hoerbiger)
Ernst Deutsch Ernst Deutsch ... 'Baron' Kurtz
Siegfried Breuer ... Popescu
Erich Ponto ... Dr. Winkel
Wilfrid Hyde-White ... Crabbin
Hedwig Bleibtreu ... Anna's Old Landlady
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Storyline

An out of work pulp fiction novelist, Holly Martins, arrives in a post war Vienna divided into sectors by the victorious allies, and where a shortage of supplies has led to a flourishing black market. He arrives at the invitation of an ex-school friend, Harry Lime, who has offered him a job, only to discover that Lime has recently died in a peculiar traffic accident. From talking to Lime's friends and associates Martins soon notices that some of the stories are inconsistent, and determines to discover what really happened to Harry Lime. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

He'll have you in a dither with his zither! (from reissue print) See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English | German | Russian

Release Date:

12 October 1949 (France) See more »

Also Known As:

The 3rd Man See more »

Filming Locations:

Austria See more »

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Box Office

Opening Weekend:

£17,856 (United Kingdom), 18 July 1999, Limited Release

Opening Weekend USA:

$13,576, 9 May 1999, Limited Release

Gross USA:

$449,191, 31 December 2015
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

During meetings between Graham Greene and Carol Reed with David O. Selznick, Greene was less than impressed with Selznick, who had (according to Selznick's own son) "become something of a parody of himself". Greene later mocked Selznick's dependency, at that stage, on the drug Dexedrine, better known as "speed". Coincidentally, Reed also became hooked on Dexedrine whilst shooting the time-consuming film. Both Reed and Selznick were operating on as little as 2 hours of sleep a day. See more »

Goofs

When Holly Martins first encounters Harry Lime across the street in a darkened doorway, he doesn't know who it is and he yells out, "What kind of a spy do you think you are satchel foot?" When he says this line, you can clearly see that he is not saying anything at all. See more »

Quotes

Martins: I'd make comic faces... and stand on my head and grin at you between my legs... and tell all sorts of jokes. I wouldn't stand a chance, would I?
See more »

Crazy Credits

Opening credits prologue: V I E N N A See more »

Alternate Versions

The film was dubbed in German for the first time in 1949 with Wolfgang Lukschy for Joseph Cotten and Friedrich Joloff for Orson Welles. Additionally, all German speaking actors dubbed themselves. In 1963 the film was redubbed (presumably for legal reasons) by Atlas Film (with Horst Niendorf for Cotten and Werner Peters for Welles). This version also replaces the opening credits. See more »

Connections

Referenced in The Sadist (1963) See more »

Soundtracks

The Third Man Theme
(1949) (uncredited)
Written by Anton Karas
Performed by Anton Karas on a zither
See more »

Frequently Asked Questions

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User Reviews

A Flawless Classic
23 July 2001 | by Snow LeopardSee all my reviews

This is a rare film that is flawless in every respect. It combines great acting and memorable characters with a fascinating story, taking place in an interesting setting and adding a creative musical score. "The Third Man" is remembered for many things - for Orson Welles' wonderful performance in his appearances as Harry Lime, for its wonderfully appropriate musical score, and for its nicely conceived plot surprises. Adding to these is Joseph Cotten's fine portrayal of Holly Martins, which holds the rest of it together - it is his character who initiates most of the action, and also through whom we view everything and everyone else.

The story starts, after a nicely done prologue, with Martins arriving in Vienna, and finding out that his friend Harry is not only dead but is accused of running a particularly destructive black market racket. Martins sets out at once to prove his friend's innocence, getting into an immediate scuffle with the police, and it seems at first to set up a conventional plot about clearing the name of a friend - but the actual story that follows is much deeper and much better. It is just right that Martins is an innocent who writes cheap novels for a living, and he gets a pretty memorable lesson in fiction vs. reality. There are some great scenes (the Ferris-wheel confrontation being as good a scene as there is in classic cinema) leading up to a memorable climactic sequence, and a good supporting cast, with Alida Valli as Anna being very good in complementing Lime and Martins. The setting in crumbling post-war Vienna and the distinctive zither score go very nicely with the story.

This is a fine, flawless classic, and while obviously belonging to an earlier era, it deserves a look from anyone who appreciates good movies.


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