Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
Danny has been in the army for 4 years, yet all he thinks about is Brooklyn and how great it is. When he returns after the war, he soon finds that Brooklyn is not so nice after all. He is ... See full summary »
The Wolves baseball team gets steamed when they find they've been inherited by one K.C. Higgins, a suspected "fathead" who intends to take an active interest in running the team. But K.C. turns outs to be a beautiful woman who really knows her baseball. Second baseman Dennis Ryan promptly falls in love. But his playboy roommate Eddie O'Brien has his own notions about how to treat the new lady owner and some unsavory gamblers have their own ideas about how to handle Eddie.Written by
There was no soundtrack album, but three of the stars made commercial discs of a few songs, on MGM Records. Two Gene Kelly-Betty Garrett duets were recorded , "Take Me Out to the Ball Game" (music by 'Albert Von Tilzer', lyrics by Jack Norworth), done in a swinging tempo, and "Yes, Indeedy" (music and lyrics by Roger Edens, Betty Comden and Adolph Green). Also, recorded on MGM Records, a Garrett solo, "It's Fate Baby, It's Fate" (music and lyrics by Edens, Comden and Green) and recorded on Columbia Records, Frank Sinatra's charming ballad, "The Right Girl for Me" (music and lyrics by Edens, Comden and Green). See more »
Theodore Roosevelt is portrayed as throwing out the ceremonial first pitch at a baseball game. The practice of presidents throwing out the first pitch did not begin until the presidency of William Howard Taft, Roosevelt's successor. See more »
If you should run to China or Turkey or Sweden, Or Herzegovina or Mars, It wouldn't matter where you'd be, A force will pull you back to me, It's written in the stars, It's fate, baby, it's fate...
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The first half of this movie had its moments, but I didn't particularly enjoy it. It does indeed have many resemblences to On the Town, which came after it, only this time in a baseball field at the turn of the 20th century. The "O'Brien to Ryan to Goldberg" number was okay, and so was Frank Sinatra (playing a young naif again!) crooning to Esther Williams. But all it really needed was Betty Garrett to come in and give it a big energy boost. Her "Fate" number, sung as she chases Frank around the bleachers, was the first number to really grab my attention, (repeated in a taxi cab in On the Town). Then came the clambake, with "Strictly USA" and Gene Kelly's "St. Patrick's Day" number to keep the energy level up and the nodding-off level down. (By the way, yes, Gene and Stanley Donen were in charge of the musical numbers. Busby Berkley directed the rest of the film.) From then on, it wasn't too bad, especially the clever little vaudeville number at the end, penned by Betty Comden and Adolph Green along with the rest of the songs, (except the title one, of course). So, all the movie needed was Betty Garrett to really get off the ground. Interesting.
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