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Stromboli (1950)

Stromboli, terra di Dio (original title)
Not Rated | | Drama | 15 February 1950 (USA)
Karen, a young woman from the Baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the volcano, is a tough one and Karen cannot get used to it.

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Writers:

(story), (collaboration) (as Sergio Amedei) | 4 more credits »
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2 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
... Karen
... Antonio
Renzo Cesana ... The Priest
Mario Sponzo ... The Man from the Lighthouse
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Storyline

Living in an Italian refugee camp in 1948, the beautiful Karen meets Antonio, a resident of the men's camp. While not in love with him, Karen marries him and they soon set of for his home village, Stromboli. The village is on a remote island at the foot of an active volcano. She despairs at what she finds when she arrives. The village is on barren land and virtually devoid of people as many have left, mostly for the United States. She doesn't speak the local dialect and is treated with disdain by some of the locals who see her as an exotic foreigner and a loose woman. After Antonio beats her and locks her in their house, she sets off across the mountains to seek her freedom and a better future. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

This is IT! See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

|

Language:

| | | |

Release Date:

15 February 1950 (USA)  »

Also Known As:

Of God's Earth  »

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Box Office

Budget:

$1,000,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (Italy)

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Roberto Rossellini and his future wife Ingrid Bergman met for the first time while making this movie. See more »

Goofs

When the police officer is typing the report, he does not strike nearly enough keys to produce the amount of information shown on the paper. See more »

Quotes

Karin: Money, money, money! You need much more money for a woman like me!
See more »

Crazy Credits

Opening credits: "I was found of them that sought me not; I was made manifest unto them that asked not after me." (New Testament, St. Paul's letter to the Romans, Chapter 10, Verse 20) See more »

Connections

Referenced in The Best of Youth (2003) See more »

Frequently Asked Questions

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User Reviews

 
Vertical movie
6 March 2007 | by See all my reviews

I must confess that I don't belong to those who consider this movie a big masterpiece. The main problem is Ingrid Bergman and her role. Somehow I found it hard to believe that a woman who seems to be reasonably urbane and worldly-wise, or at least streetwise, and who seems to have weathered difficult situations during a World War in comparative comfort would follow an illiterate peasant to a dead end island. She has many scenes on her own in which she – I can't describe it differently – throws tantrums and feels sorry for herself. It just becomes a boring routine after a while and a little ridiculous as well. There is no character development whatsoever. I liked Bergman much more in movies like Notorious or Gaslight were she probably received better direction.

However, the fantastic locations more than compensate for those flaws. The island of Stromboli is nothing more than an active volcano. The main characters live on the edge between the sea and the towering crater. All important movements in this movie are vertical. The messages from hell fall out of the sky in the form of burning rocks or lower themselves over the heads of people as poisonous gases. A contrary movement – up from the bottom - is the awesome fishing expedition – for me the most unforgettable event of the movie. Large teams of fishermen haul in a huge net, singing. Gradually the surface of the water over the net starts getting agitated until at last huge fish (tuna, I guess) start emerging in a wild frenzy and are hauled aboard. This is perfectly filmed an edited – and simply horrific.

All the elements come together and leave little action space for the cornered humans. The movie proposes two solutions: emigration or religion. The priest of the island plays a pivotal role in the story as he represents the link between the two options. However his actions seemed to me pretty inconclusive, at first he expresses himself overly optimistic, in an almost derisory way, as to the functionality of the ill fitted marriage of the heroine, then he declares himself incapable of helping the heroine, throwing her back onto herself in matters of religious belief. Eventually he comes through as the chief guardian of the dead buried on the island that is a kind of gateway to the world beyond. This is all interesting stuff, but it is not handled with particular care or discipline, which is a pity.


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