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So Much for So Little (1949)

An illustration of the role public health agencies play in citizens' lives.

Director:

Chuck Jones (as Charles M. Jones)
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Won 1 Oscar. See more awards »

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Cast

Uncredited cast:
Mel Blanc ... Johnny Jones (voice) (uncredited)
Frank Graham Frank Graham ... Narrator (voice) (uncredited)
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Storyline

Little Johnny Jones, to be born in the next year, is shown growing to a ripe, healthy old age, thanks to the efforts of his local public health officers. But without them, he might be one of the 5% or so that dies in the first year. The price for the public health service: about 3 cents a week. Written by Jon Reeves <jreeves@imdb.com>

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Details

Country:

USA

Language:

English

Release Date:

1 January 1949 (USA) See more »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The first animated film to win an Academy Award for Best Documentary Short. See more »

Connections

Referenced in Nelly's Folly (1961) See more »

Soundtracks

Rock-a-Bye Baby
(uncredited)
Music by Effie I. Canning
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Frequently Asked Questions

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User Reviews

 
so much hokey for so little time; no one predicted the current state of health care
27 January 2007 | by lee_eisenbergSee all my reviews

When we watch movies and cartoons from the '40s and '50s, we can often tell that they came from that era, as they promote a happy-go-lucky, perpetually optimistic attitude. But they're usually still OK to watch. "So Much for So Little" doesn't fit in this group. It's purpose is to remind us that if we give three cents a week to health care, we'll cut down on the infant mortality rate. It displays this by showing a wholesome, all-American boy growing up through the years.

Well, we've seen the unfortunate reality. Almost 47 million Americans go each day without health care. Countless people live near toxic waste dumps to this day; New Orleans was already like a cesspool before Hurricane Katrina exacerbated the pollution. As for the boy's adult years, now that we can look back on the baby boomers' young adult life, it would have been more realistic to portray him as a hippie and then a disco pimp.

But the main point is that Chuck Jones should have known better than this. Maybe it would have come out better had he cast Bugs, Daffy, Porky or one of those other guys. You can find it in the documentary "Toonheads: The Lost Toons" on the Looney Tunes Golden Collection, and its status as part of Looney Tunes history is about the only thing that makes it worth watching (in fact, I wish that the documentary's narrator had poked fun at it rather than praising it).


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