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After having served 5 years in prison, for killing a man while defending her disreputable lover, Harry (John Baragrey), Jenny Marsh (Patricia Knight) is set for parole. Her parole officer, Griff Marat Cornel Wilde is determined to make Jenny go straight. For lack of other prospects Griff finds Jenny a job in his own home, something totally against regulations. At first, Jenny still has feelings for Harry, but as Griff shows her more compassion and care, she falls in love with him - which Harry seems to encourage, because he has plans to crush Griff and his dreams of political office, and the situation soon becomes even more dangerous...Written by
Rod Crawford <email@example.com>
Opening credits: The characters and incidents portrayed and the names used herein are fictitious and any similarity to the name, character or history of any person is entirely accidental and unintentional. See more »
A parole officer falls in love with one of his charges
"Shockproof" is a 1949 Douglas Sirk film starring Cornel Wilde and Patricia Knight. Wilde is Griff Marat, who gets a paroled prisoner, Jenny Marsh (Knight) on his caseload. She refuses to give up the bad acquaintances that got her into trouble in the first place; this includes her old boyfriend, Harry (John Baragrey) whom she continues to meet secretly. Griff has taken Jenny into his home to care for his blind mother (Esther Minciotti), and over time, they fall in love. Though she's still pulled toward Harry, she balks when Harry wants her to convince Griff to marry her, a clear violation of his job ethics and her parole. Because Griff has political ambitions, they will then have them where they want him. Gradually Harry realizes that Jenny is not going to cooperate, and he ends up gravely injured. Griff and Jenny go on the run to avoid her arrest.
This is a pretty good noir with two heavyweights attached, Sirk, the director, and Sam Fuller, who co-wrote the script. Unfortunately, the characters aren't fleshed out enough so that we understand their sudden turnarounds - a man on the side of the law with political ambitions decides to throw it all out the window, marry a client secretly, and go on the run riding in boxcars and living in shacks because though the shooting was accidental, Griff feels Jenny won't be believed. That's just Griff - in reality, all three of the main characters do complete reversals during the course of this film with little or no justification.
Wilde does a good job here, and Knight, a new actress to me, is beautiful and has good chemistry opposite her then husband Wilde. She didn't work much longer, as after their divorce, her career dried up.
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