At a wedding party involving three beautiful women, a young man should choose the most charming. But a professor intervenes to prevent the verdict, remembering the troubles caused by Paris in a similar situation.
Though his people, the Israelites, are enslaved by the Philistines, Samson, strongest man of the tribe of Dan, falls in love with the Philistine Semadar, whom he wins by virtue of a contest of strength. But Semadar betrays him, and Samson engages in a fight with her real love, Ahtur, and his soldiers. Semadar is killed, and her sister Delilah, who had loved Samson in silence, now vows vengeance against him. She plans to seduce Samson into revealing the secret of his strength and then to betray him to the Philistine leader, the Saran.Written by
Jim Beaver <firstname.lastname@example.org>
With a $28 million gross domestically, the film was Paramount's biggest hit since DeMille's silent version of The Ten Commandments (1923). See more »
Immediately after Dagon falls a column falls near the dias. As it tilts over the "stone" develops a crease as it falls. See more »
Before the dawn of history, ever since the first man discovered his soul, he has struggled against the forces that sought to enslave him. He saw the awful power of nature rage against him. The evil eye of the lightning... The terrifying voice of the thunder... The shrieking, wind-filled darkness enslaving his mind with shackles of fear. Fear bred superstition, blinding his reason. He was ridden by a host of devil gods. Human dignity perished on the altar of idolatry. And tyranny ...
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As Samson and Delilah (1949) starts, the title is written on scroll, that is opened, to be read. The remaining opening credits, after the scroll and title, are normal. Closing credits are normal, also. See more »
By the time the 1940s were rolling around, Cecil B. DeMille was doing a lot less work, but the work was getting more expensive. DeMille took off a couple of years now between films to create the opulent splendor that typifies his work.
Well Samson and Delilah abounds in opulence. The color cinematography is first rate and reason enough to see the film. Of course it has the usual stilted dialog that is common in DeMille's costume work. But one has to remember that DeMille made his show business bones with David Belasco in the Edwardian era. And that's how folks talked in those Belasco plays.
Acting honors in this go to George Sanders as the Saran of Gaza, Philistine ruler and sophisticated cad. This was the height of Sanders career, he received a Best Supporting Actor Oscar for All About Eve the same year. I think the Saran and Addison DeWitt would have understood each other very well.
Angela Lansbury is the original object of Samson's lust and she does okay, but personally if you had the choice between Jessica Fletcher and Tondelayo, who would you choose? Is that ever a no-brainer.
DeMille got a couple of loan-outs to play the leads. Hedy Lamarr could easily lay claim to be the most beautiful woman in the cinema. She never had much acting skill, but all she has to do is be seductive and that no one could do better.
And Victor Mature away from his home studio of 20th Century Fox where he was languishing, Samson and Delilah provided a whole new vista for him with roles in spectacle pictures where he could truly be that beautiful hunk of man.
Fay Holden is good as Samson's mother. In modern times I can just hear her telling him about settling down with a good Jewish girl.
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