6.7/10
465
13 user 4 critic

A Run for Your Money (1949)

Approved | | Comedy | 8 April 1950 (USA)
Brothers from a Welsh village take their first trip to London to collect a prize, and meet a con artist and various other urban distractions.

Director:

Charles Frend

Writers:

Clifford Evans (based on the original screen story by), Richard Hughes (screenplay) | 3 more credits »
Reviews
Nominated for 1 BAFTA Film Award. See more awards »

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Cast

Cast overview, first billed only:
Donald Houston ... Dai
Meredith Edwards ... Twm
Moira Lister ... Jo
Alec Guinness ... Whimple
Hugh Griffith ... Huw
Clive Morton ... Editor
Julie Milton Julie Milton ... Bronwen
Peter Edwards Peter Edwards ... Davies Manager
Joyce Grenfell ... Mrs. Pargiter
Leslie Perrins ... Burney
Dorothy Bramhall Dorothy Bramhall ... Jane
Andrew Leigh Andrew Leigh ... The Pawnbroker
Edward Rigby ... Beefeater
Desmond Walter-Ellis Desmond Walter-Ellis ... Station Announcer
Mackenzie Ward ... The Photographer
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Storyline

Two Welsh coal-mining brothers win a trip to London to claim a monetary prize. They are supposed to meet a newspaper reporter who will be their escort. Instead, the brothers are launched into an adventure with some London riff-raff. It is up to the reporter to look out for the brothers, and what a job it turns out to be. Written by J. Hooven <dhooven@sprintmail.com>

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

Approved | See all certifications »
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Details

Country:

UK

Language:

English

Release Date:

8 April 1950 (USA) See more »

Also Known As:

2 Bolhoeden naar Londen See more »

Company Credits

Production Co:

Ealing Studios See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

All of the music in the movie was adapted from traditional Welsh songs. See more »

Goofs

(Around 20 minutes) a man is singing in the street but in the long shot his mouth isn't moving at all. See more »

Quotes

Thomas 'Twm' Jones: But pawning a harp at any time - there's immorality for you.
See more »

Connections

References Passport to Pimlico (1949) See more »

Soundtracks

Rising of the Lark
(uncredited)
Traditional
Arranged by Ernest Irving
See more »

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User Reviews

 
Taffs in town
10 January 2019 | by LejinkSee all my reviews

A lesser-known, lightweight Ealing Comedy which follows the exploits of two Welsh mining brothers Donald Houston and Meredith Edwards who win a newspaper lottery prize of a trip to London, tickets for the big England v Wales rugby international at Twickenham and £100 prize money each. Sent out by the paper to chaperone them on their big day and write up their story is their reluctant, horticultural columnist Alec Guinness but almost immediately they arrive in the big city, the siblings are separated and fall into a separate series of misadventures before they have to make a madcap race for the return train home with a motley entourage in their wake, who've all played a part in their story.

A tale of innocents abroad, the film one suspects is mildly patronising of the Welsh as rather wide-eyed, boozy, over-trusting simpletons who sing their way through life's ups and downs. Houston's Dai and his solo adventure is more interesting than his brother's as he falls under the influence of what Guinness's character neatly calls a pro-con, pretty professional confidence trickster Moira Lister, out to separate Houston both from his money and his girl back in the valleys. I however found other brother Tom's escapade, where he picks up his old hometown harpist accompanist begging on the streets of London, rather tiresome.

The film has some funny moments like when a tannoy announcement is made for a Mr Jones from Wales at Paddington Station when the announcer can't pronounce their Welsh town name to a train full of Welshmen arriving for the match, with predictably chaotic results and a young Joyce Grenfell's turn as a fawning dress shop salesperson but the film suffers from too much slapstick and sentimentality. Houston and Edwards hardly seem like brothers and Hugh Griffiths as the hanger-on harp player soon irritates but Guinness already shows the skills that would make him a mainstay of the studio in years to come.

Lacking the sharp satire and social commentary of other Ealing Comedies, nonetheless I can see how this unassuming film might have cheered the average post-War cinema-goer. Me today, a bit less so.


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