Hopes and love and ambitions and friendship in a group of young jazz-loving Parisians.
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Title: Rendez-vous de juillet (1949)
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2 wins & 1 nomination.
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Cast
| Cast overview, first billed only: | |||
| Daniel Gélin | ... | Lucien Bonnard | |
| Brigitte Auber | ... | Thérèse Richard | |
| Nicole Courcel | ... | Christine Courcel | |
 |
Pierre Trabaud | ... | Pierrot Rabut |
| Maurice Ronet | ... | Roger Moulin | |
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|
Philippe Mareuil | ... | François |
|
|
Henri Belly | ||
| Jacques Fabbri | ... | Bernard | |
| Michel Barbey | ... | Un ami de Lucien | |
|
|
Francis Maziére | ... | Frédéric |
|
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Robert Lombard | ... | Un ami de Lucien |
|
|
Jean Pommier | ||
|
|
María Riquelme | ||
|
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Annie Noël | ||
|
|
Claude Luter | ... | Le chef d'orchestre de jazz |
Edit
Plot Summary
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Add Synopsis
Storyline
Hopes and love and ambitions and friendship in a group of young jazz-loving Parisians.
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Details
Country:
FranceLanguage:
FrenchRelease Date:
6 December 1949 (France) See more »Also Known As:
Eterna Ilusão See more »Edit
Box Office
Opening Weekend USA:
$6,080, 5 August 2018, Limited ReleaseGross USA:
$11,321, 16 September 2018Company Credits
Production Co:
Union Générale Cinématographique (UGC), Société Nouvelle des Établissements Gaumont (SNEG) See more »
Show more on
IMDbPro »
Technical Specs
Runtime:
Sound Mix:
Mono (Klangfilm)Color:
Black and WhiteAspect Ratio:
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One of Jacques Becker's most financially successful films, this exhilarating slice of postwar Parisian life isn't quite the first 'slacker' film (that distinction probably belongs to Val Guest's 'Give Us the Moon' five years earlier) - but its freewheeling portrait of the young at play around Saint-Germain-des-Prés and the Latin Quarter, aided by tremendous photography by Claude Renoir, vibrantly captures the look and feel of a Paris only recently freed from the dead weight of the Occupation and discovering jazz (and amphicars!).
Strongly anticipating later 'youth' subjects like Fellini's I Vitelloni' (1953) and Marcel Carné's 'beat' film 'Les Tricheurs' (1958); a full ten years before the Nouvelle Vague, Becker's film also discreetly employs the whimsical archaism of irises in and out that later became one of the hallmarks of the new kids on the arrondissement during the early sixties. Among the attractive cast of newcomers, watch out for veteran Gaston Modot playing a professor.