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The Red Menace (1949)

A disillusioned, bitter ex-GI gets involved with the Communist party, and winds up falling in love with one of his "instructors." At first true believers, they realize their mistake when ... See full summary »


R.G. Springsteen


Albert DeMond (screenplay), Gerald Geraghty (screenplay) | 1 more credit »


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Cast overview, first billed only:
Robert Rockwell ... Bill Jones
Hannelore Axman ... Nina Petrovka (as Hanne Axman)
Betty Lou Gerson ... Yvonne Kraus
Barbra Fuller ... Mollie O'Flaherty
Shepard Menken Shepard Menken ... Henry Solomon
Lester Luther Lester Luther ... Earl Partridge
William Lally William Lally ... Jack Tyler (as William J. Lally)
Lloyd G. Davies Lloyd G. Davies ... Inspector O'Toole
Norman Budd ... Reachi
Leo Cleary Leo Cleary ... Father O'Leary
Kay Riehl Kay Riehl ... Mrs. O'Flaherty
William Martell William Martell ... Immigration Insp. Riggs
James Harrington James Harrington ... Martin Vejac
Duke Williams Duke Williams ... Sam Wright
Napoleon Simpson Napoleon Simpson ... Tom Wright


A disillusioned, bitter ex-GI gets involved with the Communist party, and winds up falling in love with one of his "instructors." At first true believers, they realize their mistake when they witness Party leaders murder a member who questions the party's principles. They try to leave the party, but are marked for murder and hunted by the party's assassins. Written by frankfob2@yahoo.com

Plot Summary | Add Synopsis


The most talked about drama of our time! See more »







Release Date:

1 August 1949 (USA) See more »

Also Known As:

Underground Spy See more »

Company Credits

Production Co:

Republic Pictures (I) See more »
Show more on IMDbPro »

Technical Specs


| (1950 re-release)

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »

Did You Know?


[first lines]
Nina Petrovka: No... Don't let them... I'm afraid.
Bill Jones: Nina, stop it. It's me, Bill! They can't get us now.
Nina Petrovka: They're gonna kill us!
Bill Jones: Nina... Get a hold of yourself. Snap out of it.
Nina Petrovka: That same dream. Those frightening, sadistic faiths chasing me. Turning guns at me.
Bill Jones: It's nothing to worry about. They can't get us out here.
Nina Petrovka: You don't really believe that. You know we can't get away.
Bill Jones: They haven't caught us yet, have they?
Nina Petrovka: No, but... they are real! Oh please Bill, let me get myself up. It isn't you they're ...
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User Reviews

But Awful is what makes it a cult classic....
19 November 2007 | by BudsNephewSee all my reviews

My uncle told me this was the WORST film he ever directed. He was a contract director and the studio wanted him to make a movie about Communism. "This McCarthy thing seems to be catching on," he said they told him, "and we need a film quick." They gave him six weeks and $100,000 budget - an unheard-of pittance for a feature film, even in 1949. He didn't have a cast, a crew, a script, or even a story line. So he called friends who had very little screen time, knowing no "Name" actor would commit to a project like this. Besides, most of Uncle Gordon's actor friends were Western stars, like Roy Rogers.

Gordon got a writer from the studio to pen the script, but he quit half-way through filming. So he and another actor had to complete the script, adding to it as they went. At the start of each day's filming, they had no idea what they were going to do.

But, as promised, Uncle Gordon got this movie made on time and on budget.

It saddened him a little, knowing that with all his directing credits, he would probably be most remembered for the worst film he ever made. He was proud of the rest of his filmography, and enjoyed directing well into his 70's.

As for me, well, I think its kinda cool that my Great Uncle had a lot to do with the making of a cult classic. Its no Rocky Horror, Reefer Madness, or even Attack of the Killer Tomatoes, but in the genre of ridiculously bad films, Red Menace can hold its celluloid head high.

Just remember, Bud Springsteen had to work under extreme conditions to churn out a film this bad.

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