Shortly after the end of World War II, British Colonel Michael 'Hooky' Nicobar is assigned to a unit in the British Zone of Vienna. His duty is to aid the Soviet authorities to repatriate ...
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A British woman trying to escape Hungary with her freedom fighter lover and a group of Westerners, as the Soviet Union moves to crush the Hungarian Revolution of 1956, finds herself the obsession of an enigmatic Communist officer.
Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee, ... See full summary »
Chester W. Nimitz,
Jonathan M. Wainwright
When a cute Welsh terrier follows Bill Denny home, little does he know that all gangland has its eye on that dog. Who will be bumbling Bill's undoing - the gangsters, the cops, or his suspicious mother-in-law?
A photographer for Life magazine comes to London to do a story on a local theater troupe which never missed a performance during World War II. Flashbacks also reveal the backstage love ... See full summary »
Shortly after the end of World War II, British Colonel Michael 'Hooky' Nicobar is assigned to a unit in the British Zone of Vienna. His duty is to aid the Soviet authorities to repatriate citizens of the Soviet Union, many of whom prefer not to return to their home country. Billeted in the convent run by Mother Auxilia, Nicobar, and his military aides Major John 'Twingo' McPhimister and Audrey Quail, become involved in the plight of a young ballerina who is trying to avoid being returned to Moscow. Nicobar's sense of duty is tested as he sees first hand the plight of the people he is helping return to the Soviet Union; his lack of religious faith is also shaken by his contact with the Mother Superior.Written by
Ron Kerrigan <email@example.com>
The director, George Sydney, and his tech crew were geniuses.
I liked this movie very much; it resonated clearly. I grew up during the 2nd WW, and the aftermath was often a mystery; this relates to that time vis-a-vis Russia and her ex-patriots. This is not a formula movie; we care about the main characters and it really reaches to the heart. The points the script made about our choices in life were well made, and the reference to religion was fair. I'm going to use the metaphoric model of the painter, paint, ladder and ceiling in my own work. The actors were wonderful, and the camera work was exceptional at getting to the feelings that shine through the face. The lighting was part of that effect. I knew something was up when I saw the close-ups with artistic lighting, but I didn't know how strongly they would tie to later scenes and evoke emotions. This added to our caring about the sweet innocent Janet Leigh, and the young, idealistic Peter Lawford. I didn't agree with all the philosophy, but it certainly was mostly a tribute to listening to the conscience.
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