Puce Moment (1949)

A soundtrack plays folk rock as a woman prepares, at noon, to take her Borzois for a walk. She goes through her dresses, all 1920s style flapper gowns, holding them one at a time, shaking ... See full summary »

Director:

Kenneth Anger (as Anger)

Star:

Yvonne Marquis

Cast

Uncredited cast:
Yvonne Marquis	...	Hollywood Star (uncredited)

Storyline

A soundtrack plays folk rock as a woman prepares, at noon, to take her Borzois for a walk. She goes through her dresses, all 1920s style flapper gowns, holding them one at a time, shaking them as if they are dancing. She picks one - in puce. She puts it on, delighted, adds perfume, languishes on a chaise for a few minutes, then goes for her walk. It all has a 20s feel.

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Plot Keywords:

borzoi | star | star system | myth | hollywood | 

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Genres:

Short

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Details

Country:

USA

Language:

English

Release Date:

7 April 1973 (France)

Also Known As:

Проверка на женственность

Company Credits

Technical Specs

Runtime:

6 min

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

This film was released in France in 1973 as part of a program called "Cinéma Underground".

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Connections

Referenced in Getting Ready (2010)

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Soundtracks

Leaving My Old Life Behind/I Am A Hermit
(uncredited)
Written and Performed by Jonathan Halper

User Reviews

Anachronistically vibrant

'Puce Moment (1949)' is, oddly enough, my first film from director Kenneth Anger. As soon as it began, I realised I'd discovered a filmmaker who stood well ahead of his time. Is that folk rock playing on the soundtrack? Surely, I told myself, such a song has no place in a 1949 film – the technique has since become commonplace in movies and music videos. The film's vibrant colour photography clashes uncertainly with the shaky hand-held filming style, suggesting the rising experimental movement of the 1960s. It's peculiar that Anger wasn't even attempting to be "trendy" or "modern" with his film-making style. 'Puce Moment,' originally intended as a feature, was supposed to be emulating the opulent Hollywood lifestyles of the silent era. The film opens with a 1920s movie star (Yvonne Marquis) lavishly searching for a suitable dress from her extensive wardrobe of flapper gowns, before applying perfume, languishing lazily on a chair, and then taking her four dogs for a walk. Strangely, it all barely feels like the 1920s. Does this mean that the film failed in what it was attempting? Maybe, but it's a glorious failure. Anger's condemnation of the movie star's decadent daily routine preempts Billy Wilder's critique in 'Sunset Blvd. (1950),' and his film-making style clearly influenced the experimental cinema of the coming decades. This was my first film from Kenneth Anger, but it certainly won't be my last.