Pinkie Brown is a small-town hoodlum whose gang runs a protection racket based at Brighton race course. When Pinkie murders a journalist called Fred Hale whom he believes is responsible for... See full summary »
It's time for the annual London to Brighton antique car rally, and Alan McKim and Ambrose Claverhouse are not going to let their friendship stop them from trying to humiliate each other. ... See full summary »
Two wealthy Victorian widows are courted tentatively by two impoverished British aristocrats. When one of the dowagers suggests that her beau go away with her for a month to see if they are compatible, the fireworks begin.
A soldier comes home from the war expecting a warm welcome, but he finds that his wife had taken in a lodger during his absence, and now she and his somewhat dingy daughter seem to be paying much more attention to the lodger than to him.
After WW2, former RAF airman Clem Morgan joins a gang of black-market smugglers-thieves but when a robbery goes wrong, Clem is caught , framed for a policeman's murder, and is sent to prison where he plots his escape and revenge.
When an un-exploded WWII bomb is accidentally detonated in Pimlico, London, it reveals a treasure trove. They find documents proving that the region is, in fact, part of Burgundy, France and thus foreign territory. The British government attempts to regain control by setting up border controls and cutting off services to the area. The 'Burgundians' fight back.Written by
Stephen Parkin <firstname.lastname@example.org>
A bustling and, it is implied, unscrupulous gaggle of Britons waddles its way into the freshly, sloppily partitioned nation of Burgundy. For the new Burgundians, opportunity knocks on one door, while confusion beats down another. The cacophonous Nazi explosion that created Burgundy (and buried Pimlico) is now rivaled by the vociferous crowd, swarming through the former British district like Bedouins over the dunes of Arabia.
T. E. B. Clarke's screenplay, "Passport to Pimlico," in its superior comedic handling of legal, logistical and practical civil nightmares, is one of best political parodies ever filmed. Like Clarke's later "The Lavender Hill Mob," "Passport" holds its knot to British underpinnings of dignity and grace under pressure; what remains so comedic about both stories, however, is the loss of such maintained hegemony. The direction, by veteran Henry Cornelius ("I Am a Camera," dramatic basis of "Cabaret"), is sure, confident in a way that resembles the careful work of a helmer filming a story of his own, which, in fact, he is (a conceptual collaboration with Clarke). It has been said that the two based their outline of "Passport to Pimlico" on the Canadian government's gift of a provincial `room' to the Netherlands.
"Passport" is a great, funny, touching film, well known to subject historians and critics, worthy of popular re-discovery.
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