IMDb RATING
7.2/10
2.7K
YOUR RATING
A woman meets a man whose love she rejected years ago.A woman meets a man whose love she rejected years ago.A woman meets a man whose love she rejected years ago.
IMDb RATING
7.2/10
2.7K
YOUR RATING
- Director
- Writers
- H.G. Wells(novel)
- Eric Ambler(screenplay)
- David Lean(adaptation)
- Stars
- Director
- Writers
- H.G. Wells(novel)
- Eric Ambler(screenplay)
- David Lean(adaptation)
- Stars
- Awards
- 1 nomination
Hélène Burls
- Flowerwoman
- (uncredited)
Amy Dalby
- Lady on Underground
- (uncredited)
Lisa Daniely
- Cinema Usherette
- (uncredited)
Max Earle
- Third Man - Albert Hall
- (uncredited)
Edward Evans
- Underground ticket officer
- (uncredited)
Arthur Howard
- Smith - Butler
- (uncredited)
John Huson
- First Man - Albert Hall
- (uncredited)
Wilfrid Hyde-White
- Lawyer
- (uncredited)
Charles Lloyd Pack
- Man Drinking with Stratton
- (uncredited)
Guido Lorraine
- Hotel Manager
- (uncredited)
Ina Pelly
- Second Woman - Albert Hall
- (uncredited)
Helen Piers
- First Woman - Albert Hall
- (uncredited)
Marcel Poncin
- Hall Porter
- (uncredited)
- Director
- Writers
- H.G. Wells(novel)
- Eric Ambler(screenplay)
- David Lean(adaptation)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe book Mary (Ann Todd) finds on Steven's (Trevor Howard's) shelf and reads from is "Patterns of Culture" by Ruth Benedict (1887-1948), a noted American anthropologist and folklorist. The book was published in 1934. It is the first book from which Mary Justin and Steven Stratton quote after dinner ("In the beginning, God gave to every people a cup of clay, and from this cup they drank their life."). The full passage from her book is: "A chief of the Digger Indians, as the Californians call them, talked to me a great deal about the ways of his people in the old days. One day, without transition, he broke in upon his descriptions of grinding mesquite and preparing corn soup. "In the beginning," he said, "God gave to every people a cup, a cup of clay, and from this cup they drank their life. They all dipped in the water", he continued, "but their cups were different. Our cup is broken now. It has passed away." Our Cup is Broken. Those things that had given significance to the life of his people, the domestic rituals of eating, the obligations of the economic system, the succession of ceremonials in the villages, possession in the bear dance, their standards of right and wrong - these were gone, and with them, the shape and meaning of their life."
- GoofsWhen Steven barges into Howard's office, he is shown starting to close the door, followed by the sound of a door closing. However, in the subsequent shot, the door is open again.
- Quotes
Mary Justin: I'm not a very good person, Steven. I wanted your love - and I wanted Howard's affection and the security he could give me.
Professor Steven Stratton: I can give you security too, and more than affection.
Mary Justin: You don't really know me at all. My love isn't worth very much.
- ConnectionsReferenced in Phantom Thread (2017)
Review
Featured review
Will you always want to belong to yourself?
H. G. Wells wrote his novel in 1913 and it was first filmed by Maurice Elvey in 1922. By all accounts David Lean was reluctant to take it on and did so only as a favour to Ronald Neame. Once he agreed to do it however nothing less that the very best would do. Although Eric Ambler is credited with the screenplay, he was aided considerably by Lean and Stanley Haynes. Ann Todd with whom Lean had initial 'temperament' problems and Trevor Howard are both superb as the lovers. Howard replaced Marius Goring who would not have suited. Lean had a habit in his films of sometimes making an actor in the cast feel 'left out'. In this case the victim was Howard. The film actually belongs to Claude Rains for whom Lean had the deepest admiration. His portrayal of the betrayed husband is consummate and a masterclass in great film acting. Lean's own verdict on the film? 'Very nearly very good but a little cold'. I feel he was being unduly harsh on himself as anyone who is left unmoved by the final scene has a heart of stone. The film was criticised at the time for its extensive use of flashbacks. Ones heart goes out to those poor souls in the audience who get so easily confused! Lean's mastery of the visual, his 'cutter's' instinct and the excellent performances make this an absorbing and immensely satisfying film.
helpful•40
- brogmiller
- Apr 15, 2020
Details
Box office
- Gross worldwide
- $40,335
- Runtime1 hour 35 minutes
- Color
- Aspect ratio
- 1.37 : 1
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