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Orpheus (1950)

Orphée (original title)
Not Rated | | Fantasy, Drama, Romance | 29 November 1950 (USA)
A poet in love with Death follows his unhappy wife into the underworld.

Director:

Jean Cocteau

Writer:

Jean Cocteau
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Nominated for 1 BAFTA Film Award. Another 1 nomination. See more awards »

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Cast

Complete credited cast:
Jean Marais ... Orphée
François Périer ... Heurtebise
María Casares ... The Princess - Death
Marie Déa ... Eurydice
Henri Crémieux ... L'éditeur
Juliette Gréco ... Aglaonice
Roger Blin Roger Blin ... The Poet
Edouard Dermithe ... Jacques Cégeste
André Carnège André Carnège ... Judge (as Maurice Carnège)
René Worms René Worms ... Judge
Raymond Faure Raymond Faure
Pierre Bertin Pierre Bertin ... Le commissaire
Jacques Varennes ... Judge
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Storyline

Orphee is a poet who becomes obsessed with Death (the Princess). They fall in love. Orphee's wife, Eurydice, is killed by the Princess' henchmen and Orphee goes after her into the Underworld. Although they have become dangerously entangled, the Princess sends Orphee back out of the Underworld, to carry on his life with Eurydice. Written by <P.M.Laws@education.leeds.ac.uk>

Plot Summary | Add Synopsis

Taglines:

Grand Prix de la Critique International Venice 1950

Genres:

Fantasy | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French

Release Date:

29 November 1950 (USA) See more »

Also Known As:

Orpheus See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Most of the underworld scenes were shot in the blitzed ruins of the St. Cyr military academy. See more »

Quotes

Heurtebise: I am letting you into the secret of all secrets, mirrors are gates through which death comes and goes. Moreover if you see your whole life in a mirror you will see death at work as you see bees behind the glass in a hive.
See more »

Connections

Version of Black Orpheus (1959) See more »

Soundtracks

Dance of the Blessed Souls -- from Orphée et Eurydice
Written by Christoph Willibald Gluck
See more »

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User Reviews

 
Beyond the mirror
22 March 2014 | by cafescottSee all my reviews

I enjoy the enthusiasm from user reviewer Dave G ("One of the truly great masterpieces of cinema", Dave G from Sheffield, England, 25 January 2000). Also, from peterehoward ("The closest cinema has come to poetry", peterehoward, United Kingdom, 13 November 2005).

Good background information can be found from rdoyle29 ("A timeless fantasy classic", rdoyle29 from Winnipeg, Canada, 17 September 2000). In addition, Ed from NY, NY ("the most poetic of all films", Ed from New York, NY, 23 May 2002) does a good job in figuring out a perplexing plot turn near the end.

Jean Cocteau's "Orpheus" (1950) is a bizarre, dream-like journey to the Underworld and back. It is surprising not only because of the depth of its madness, but also because it came out of seemingly buoyant, post-war France. By today's standards the pacing is a little slow; and it is occasionally soporific. However, if you have the patience for it the feeling is this is a cinematic masterpiece that demands repeated viewing.

Cocteau's nightmarish retelling of the Greek legend featuring poet Orpheus, his frequently-ignored wife Eurydice and the Princess of Death borrows from personal memories of the director as well as Francophile war experiences. For example, the cryptic radio personality that Orpheus obsesses over is regarded to represent the BBC communicating coded words to the French Resistance. In addition, the mob that will assault Orpheus is derived from early intellectual critics of Cocteau's art.

The actors are first-rate. Cocteau's former lover, Jean Marais, is convincing as a celebrity who can compel others with his magnetism. However, two other cast members are exceptional. Maria Casares is mesmerizing as the Princess of Death. François Périer is also note-perfect as the chauffeur Heurtebise. Ms. Casares, who steals all of her scenes, speaks (the frequently insane) lines of her underworld character with total conviction; she is a principal source of the pervasive horror. Périer's Heurtebise is another character who appears at times to be speaking from another world.

Visually, Cocteau is interesting throughout. As a writer he creates a grotesque universe. This is a great way to escape mundane human existence--and perhaps, a look at what is coming in the afterlife.


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