7.9/10
14,049
73 user 52 critic

Stray Dog (1949)

Nora inu (original title)
Not Rated | | Crime, Drama, Film-Noir | 31 August 1963 (USA)
During a sweltering summer, a rookie homicide detective tries to track down his stolen Colt pistol.

Director:

Akira Kurosawa
Reviews
4 wins. See more awards »
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Cast

Cast overview, first billed only:
Toshirô Mifune ... Detective Murakami
Takashi Shimura ... Chief Detective Sato
Keiko Awaji ... Harumi Namaki, the girl-friend
Eiko Miyoshi ... Madame Namiki, Harumi's mother
Noriko Sengoku Noriko Sengoku ... Ogin, the pickpocket
Noriko Honma Noriko Honma ... Woman of wooden tub shop
Reikichi Kawamura Reikichi Kawamura ... Officer Ichikawa
Eijirô Tôno ... Old man of wooden tub shop
Yasushi Nagata Yasushi Nagata ... Investigation Chief Abe
Isao Kimura Isao Kimura ... Shinjiro Yusa
Teruko Kishi Teruko Kishi ... Ogin, a pickpocket
Minoru Chiaki ... Girlie Show director
Ichirô Sugai ... Yayoi Hotel owner
Gen Shimizu Gen Shimizu ... Police Inspector Nakajima
Kan Yanagiya Kan Yanagiya ... Police Officer
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Storyline

Murukami, a young homicide detective, has his pocket picked on a bus and loses his pistol. Frantic and ashamed, he dashes about trying to recover the weapon without success until taken under the wing of an older and wiser detective, Sato. Together they track the culprit. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

Another great detective classic in the tradition of "High and Low" by the same director! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Much of the film was filmed from the slum streets of post war Japan. These were filmed under chief assistant director Ishirô Honda, who had gone with camera operator Kazuo Yamada into some dangerous, even yakuza run, territory. Many of the scenes of Toshirô Mifune's character from the waist down are actually Honda standing in. See more »

Goofs

At one point, there is a man playing a tune on a harmonica that needs two people with harmonicas to play. See more »

Quotes

Det. Murakami: The way I imagine it...
Det. Sato: Imagining only complicates an investigation. Stick to the facts.
See more »

Connections

Remade as Too Much Sleep (1997) See more »

Soundtracks

La Paloma
(uncredited)
Written by Sebastián Yradier
Heard in the hotel and over the phone after Sato gets shot
See more »

User Reviews

Early Kurosawa is still good Kurosawa
14 May 2008 | by chaos-rampantSee all my reviews

This early Kurosawa effort floats stylistically somewhere between the film noir and neo-realism, incorporating the best from both worlds to elaborately craft a landscape (both physical and social) of post-war Japan. It's only been 4 years since the dreadful A-bombings and the subsequent defeat of Japan in WW2 and both the country and the people are deeply scarred. War veterans return home to find a country torn by poverty and as the saying goes, desperate conditions demand desperate measures.

A very young Toshiro Mifune plays the greenhorn detective who has his gun stolen and spends the rest of the movie trying to track down the culprit. As it turns out the culprit is a war veteran just like Mifune's character, only where the latter tried to do good and found an honest job, the former opted for the easy way out and became a criminal, using the stolen gun to rob and kill. This adds an additional layer of motivation for detective Sato. Not only does he have to restore his honour (ironically symbolised by the lost gun which he tries to retrieve), but also redeem himself by bringing the killer to justice. What makes matters worse for him is that every time his stolen gun is fired someone dies or gets injured, which adds another burden of guilt on the shoulders of the young detective.

The story might appear too moralistic and convenient (both antagonist and protagonist share a common background, being war veterans, making the distinction of good and bad all too easy), but it has to be seen in the context of the times. Mifune says that there are no bad people, only bad situations. But as his detective collaborator on the case remarks (played by the great Takashi Shimura, who also starred in Seven Samurai) he faced the same bad situation and made something good out of it. Kurosawa here neatly balances the social climate of post-war Japan and the conditions of the times with personal responsibility.

Story-wise it's a worthy effort, but like Rashomon, it sounds a little bit better than it actually is. Not that Stray Dog is a bad movie by any means, but clocking in at 2 hours it starts to drag near the middle. There are some nice set-pieces that showcase Kurosawa's growing talent (like the phone scene in the hotel where he uses inter-cutting to great effect) and the performances are solid all around. There's also a silent 10 minute montage of location footage shot in rundown neighborhoods as Sato searches the black market for his gun, which serves as a poignant snapshot of Japanese history.

Kurosawa would go on to achieve international acclaim with his next movie, Rashomon, but Stray Dog already shows that he was destined for great things. Compared to later entries in his filmography Stray Dog appears to be a minor entry, but it's still well worth the time to discover.


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Details

Country:

Japan

Language:

Japanese

Release Date:

31 August 1963 (USA) See more »

Also Known As:

Stray Dog See more »

Filming Locations:

Tokyo, Japan See more »

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Box Office

Opening Weekend USA:

$15,942, 28 July 2002

Gross USA:

$46,808

Cumulative Worldwide Gross:

$46,808
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »

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